Out Of Love announce new compilation album ‘So Far, So Good’

OUT OF LOVE have announced a new compilation album! Titled So Far, So Good, the upcoming album from the London-based punk band is a compilation record of all their material thus far…

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Hooked: Eva Gardner on Led Zeppelin's “Ramble On”

The bassist for Pink and Cher explains how John Paul Jones’ rhythmic tightrope of whimsical melody and driving might still hits her today.

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Induction release new music video for ‘Sacrifice’

INDUCTION have released a new music video! The new music video, for the track Sacrifice, is the brand new single from the progressive power metal quintet and comes on the back of…

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Stakes in Alice in Chains catalog sold to publishing firms Primary Wave and Round Hill

Separate deals struck with the band’s current members and the Layne Staley and Mike Starr estates

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ALBUM REVIEW: Halo – Amorphis

To listen to AMORPHIS is to grasp what metal can truly be. Over a period of decades, the Finnish melodeath veterans have crafted a sound so lush and expansive, yet…

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Watch ANTHRAX's SCOTT IAN Play SEPULTURA's 'Territory' With His 10-Year-Old Son

ANTHRAX guitarist Scott Ian was joined by his 10-year-old son Revel Young Ian on drums as they performed a rendition of the SEPULTURA classic “Terrritory” for an Instagram video which Scott shared earlier today (Tuesday, February 8).

Scott captioned the video: “WAR FOR TERRITORY!!! Garage-jamming this crusher with my hard-hitting man Rev. The whole thing will be up on YouTube soon.”

Scott previously shared a video of him and Revel performing another SEPULTURA song, “Roots Bloody Roots”.

Revel is apparently a gifted multi-instrumentalist who previously joined the FOO FIGHTERS on stage in September 2019 at the Bourbon & Beyond festival in Louisville, Kentucky to perform “Everlong” on guitar when he was just eight years old.

Back in 2014, Ian told Horns Up Rocks that his then-three-old son was a big fan of METALLICA, THE BEATLES and AC/DC and that he could already tell the difference between Bon Scott’s voice and that of Brian Johnson.

“He knows a lot of the stuff that he hears or sees in the house,” Scott said at the time. “But what’s really cool is that he actually recognizes and knows the difference between Bon Scott and Brian Johnson, which is pretty cool, I think, for an almost three-year-old. Anytime AC/DC is on, he’ll go, ‘That’s Bon singing.’ And then when it’s not Bon, he’ll say, ‘That’s not Bon singing.’ He knows. That’s pretty cool, I think.”

Asked whether metal musicians should be parents, Ian said it was the best thing that had ever happened to him. He added: “I think you have to take that on a case-by-case basis. I couldn’t say enough about having a child; I think it’s the greatest thing ever in the whole world. But I do think that there are a lot of people on this planet, not necessarily metal musicians, that shouldn’t be parents.”

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SLASH: 'It Was A Very Liberating Experience' Recording '4' Album Live In The Studio

SLASH FEATURING MYLES KENNEDY AND THE CONSPIRATORS will release their new album, titled “4”, on February 11 via Gibson Records in partnership with BMG. “4” is Slash’s fifth solo album and fourth overall with his band featuring Myles Kennedy (vocals), Brent Fitz (drums), Todd Kerns (bass, vocals) and Frank Sidoris (guitar, vocals).

In a new interview with Jave Patterson of Reno’s rock station Rock 104.5, Slash stated about “4” (as transcribed by BLABBERMOUTH.NET): “The big difference about this record from the other ones is that we a) did it with [producer] Dave Cobb [Chris Stapleton, John Prine, Jason Isbell, Brandi Carlile] and b) we did it live. So we set up the backline like we would at a venue and just played the songs live like that and recorded them in the moment as is, with the vocals and guitars and all that. And that was pretty much a first time, and it was a very liberating experience to be able to record like that.

“Normally when we record, we play the song live together and then, because I hate to wear headphones and I hate the way my guitar sounds in the headphones, those are always considered to be dummy tracks and then I go back in the control room with the big monitors and play there,” he explained. “But I’ve always wanted to be able to do it where we’re all in just one room with the amps and play it live like that. And Dave was the first producer I’ve worked with that encouraged that idea.”

In October, SLASH FEATURING MYLES KENNEDY AND THE CONSPIRATORS released the official music video for the LP’s first single, “The River Is Rising”, shot on location in downtown Los Angeles with Gibson TV director Todd Harapiak.

For “4”, Slash and the band traveled across the country together to Nashville, Tennessee and recorded the new album at the historic RCA Studio A.

The band’s previous albums over the last decade — “Apocalyptic Love”, “World On Fire” and “Living The Dream” — have continued on an upward trajectory, all achieving Top 5 Billboard charting debuts in the U.S. and reaching the Top 10 on 12 major charts across the globe. To date, the three SLASH FEATURING MYLES KENNEDY AND THE CONSPIRATORS albums have now garnered 10 consecutive Top 5 Radio singles, spawned sold-out world tours, and have earned Slash and the band the best critical acclaim of their career with their latest album “Living The Dream” (2018) singled out by the Los Angeles Times, Classic Rock, Guitar World, Loudwire, LA Weekly, and more, as their best songs to date.

The new album “4” has the added history-making distinction of being the first-ever album to be released on the new Gibson Records label, which is headquartered in the iconic American instrument brand Gibson’s hometown of Music City, Nashville. In light of the 30-year partnership between Gibson and the Grammy Award-winning Rock And Roll Hall Of Fame inductee Slash, it makes sense the new SLASH FEATURING MYLES KENNEDY AND THE CONSPIRATORS’ album “4” will be released via Gibson Records.

SLASH FEATURING MYLES KENNEDY AND THE CONSPIRATORS will kick off a North American headlining tour on February 8, in Portland, Oregon and hit 28 major cities, including Los Angeles, New York, Boston, Philadelphia, Chicago, Denver, Nashville, Dallas, Austin, Houston, and more, before wrapping up March 26 in Orlando, Florida.

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Demo:listen: Cadaverous

Demo:listen returns with some quality Midwestern old school death metal from Indianapolis trio Cadaverous.
The post Demo:listen: Cadaverous appeared first on Decibel Magazine.

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Mdou Moctar | Fender Sessions | Fender

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JONATHAN DAVIS Says KORN Is A Democracy: 'Everyone's Equal' And 'Everyone Has Their Equal Share'

During an appearance on the latest episode of “The Boo Crew” podcast, KORN frontman Jonathan Davis discussed the band’s constantly evolving sound. He said (as transcribed by BLABBERMOUTH.NET): “I think it has to do with the chemistry between each of us in the band. I think the biggest thing and the most important thing is that we all get along so well. I’ve been around so many big bands that hate each other, to the point where they can’t even be in the same room [and] they have to be on different sides of the stage. They only see each other on stage and then they go [their own] way. Which is fine, but when you’re trying to create and do something, you can’t have that bullshit going on, when you’re trying to write and do something.

“[In KORN], everybody respects everybody,” he continued. “If someone has an idea and we wanna do it, we always try it. And we’re really democratic bandmembers — everyone’s equal [and] everyone has their equal share.

“We’ve just been lucky,” Davis added. “I don’t know. We get in a room and we start making this music and it just comes from somewhere else. It’s not like we physically sit there or mentally go ‘we’re gonna do this’ and ‘we’re gonna go in this direction’ and ‘we’re gonna do that.’ We get together and we make this music and it comes out different every time. It’s really special. And I really enjoy being in this band.”

KORN’s new album, “Requiem”, was released on February 4 via Loma Vista Recordings. The band celebrated the LP’s arrival with a special record-release event on February 3 at the Hollywood United Methodist Church in Los Angeles, California. “Requiem Mass” saw the Southern California heavy music pioneers perform an intimate set in front of a 300 attendees.

KORN kicked off a short run of shows with SYSTEM OF A DOWN on January 31 in Phoenix, followed by dates in San Diego (February 1) and Los Angeles (February 4 and February 5). KORN’s headlining tour with CHEVELLE and CODE ORANGE will launch March 4.

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