BRUCE DICKINSON Hopes People Laugh A Lot During His Spoken-Word Shows
IRON MAIDEN singer Bruce Dickinson discussed his current spoken-word tour in a new interview with Sara of the Philadelphia radio station 93.3 WMMR. Asked what fans can expect to see at each show, Bruce said (as transcribed by BLABBERMOUTH.NET): “Well, I’m hoping that people go away from the show having laughed a lot and maybe having learned a little and mainly feeling, ‘That was really worth three hours of my life, to go and have that experience and share some stories.’
“I’m a glass-half-full kind of guy, so I try to get that across,” he continued. “[The show] is rude — it’s not for the faint hearted. We get some kids coming in, and I’m, like, ‘Does you mum know that you’re actually at this show? We’re gonna be saying words like ‘penis’ or worse.’ But people laugh. I get different audiences. It depends on the venue, actually, quite often. When I go into somewhere where it’s pretty rough, the audience tends to be a bit more, [grunts] ‘Hey.’ But when you get into a nice theater, they get all the ironic touches and things like that. But every now and again, you say the ‘P’ word, and people are, like, ‘Oh, he said the ‘P’ word.'”
Dickinson is considered one of the world’s most storied musicians. Aside from decades spent delivering high-octane performances with his larger-than-life persona in IRON MAIDEN, Bruce has lived an extraordinary off-stage existence too. A true polymath, his accomplishments include: pilot and airline captain, aviation entrepreneur, beer brewer, motivational speaker, film scriptwriter, twice-published novelist and Sunday Times best-selling author, radio presenter, TV actor, sports commentator and international fencer — to name but a few.
Bruce’s spoken-word show is split into two parts. The first section sees him take a humorous and often satirical look at the world from his own very personal perspective, treating the audience to private insights into his drive and ambition, peppered with plenty of MAIDEN anecdotes, and a myriad of other experiences encompassing not just the giddy heights but also the extreme lows, as told first-hand in his inimitable anarchic style, punctuated with photographs, videos and sometimes even erupting into song a cappella, to illustrate a point. The final section of the evening is devoted entirely to the aforementioned question-and-answer session, with the opportunity to pose questions on any subject whatsoever. As Bruce’s answers are all completely improvised — the more left-field and quirky the question, the more interesting and compelling the response is likely to be.
Dickinson, who had a golf gall-size tumor on his tongue and another in the lymph node on the right side of his neck, got the all-clear in May 2015 after radiation and nine weeks of chemotherapy.
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Video Premiere: Ritual Earth – “Free From My Vessel”
Hear Philly psych doom quartet Ritual Earth channel some serious early ’90s Seattle and Kyuss vibes on this drop-tuned grinder.
The post Video Premiere: Ritual Earth – “Free From My Vessel” appeared first on Decibel Magazine.
Ever wondered where your guitar’s tone really comes from? This YouTuber embarked on a quest to find the answer
Jim Lill road-tested a variety of factors, before stumbling on a theory that could potentially put an end to the guitar tone debate for good
Read more »Kill The Lights release new music video for ‘Dead From The Start’
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Charvel Releases the Guthrie Govan Signature MJ San Dimas SD24 CM
Charvel honors the British guitar virtuoso Guthrie Govan with the launch of his Japanese-made signature guitar.As an homage to the late ’80s when Charvel guitars were manufactured exclusively in Japan, Govan’s all-new signature model is loaded with an assortment of top-end features that deliver the superior sound, craftsmanship and feel prized by today’s high-performance players. Other premium features include three specially wound Charvel custom pickups arranged in a versatile HSH configuration with five-way switching for the expansive tonal openness and dynamic sensitivity that Govan demands, along with a two-way mini toggle switch to engage single-coil simulation in bridge and neck humbucker positions. This instrument also comes loaded with two Luminlay numbered dome control knobs for volume and tone, recessed Charvel locking tremolo bridge with pop-in tremolo arm and brass block, Gotoh die-cast locking tuners and Graph Tech TUSQ XL nut.“I have been playing guitar since I was three years old, so having my own signature mode feels like an honor which comes with a certain responsibility,” Govan said. “If you are going to have your name on the back of an instrument’s headstock, that’s you personally vouching for the quality and usability of that instrument, which is not something to be taken lightly. With my signature Charvel guitar, I feel completely confident to play it anywhere in the world and at any type of gig.”Cloaked in a classic Three-Tone Sunburst finish, the instrument is loaded with top-end specs handpicked by Govan. The 25.5”-scale signature model features a basswood body with an ash top and specially contoured heel (sans neck plate) for easy access to the upper reaches of the fingerboard. The graphite-reinforced bolt-on maple neck has a “caramelized” heat and drying treatment that makes it sound and feel much older, along with a satin finish on the back of the neck for smooth playability. Most unusual for a San Dimas model, the 12”-16” compound radius caramelized maple fingerboard features 24 jumbo stainless-steel frets, as well as crème dot inlays, Luminlay side dots and a conveniently located heel-mount truss rod adjustment wheel.Guthrie Govan Showcases his Signature MJ San Dimas SD24 CMFor more information, visit www.charvel.com.
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Andy Golledge: “I don’t want to sound like a copy of my influences”
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The Night Flight Orchestra announce European tour
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BLAZE BAYLEY: Why Heavy Metal Is 'The Devil's Music'
British heavy metal vocalist Blaze Bayley, who fronted IRON MAIDEN more than 20 years ago, spoke to Metal Pilgrim about how the rise of grunge in the early 1990s forced most hard rock bands off the radio and MTV, with album and tour sales plummeting. Addressing the cyclical nature of trends, he said (as transcribed by BLABBERMOUTH.NET): “For a few of is, metal never went away. And we didn’t want grunge. I think largely the journalists said [about grunge], ‘This is the next big thing.’
“When I was in WOLFSBANE, we are happy-go-lucky guys, trying to be positive and enjoying life. Grunge comes, they’re all looking at their shoes, they’re miserable, they’re suicidal — the opposite of WOLFSBANE, and the opposite of a lot of bands at the time.
“The people that really loved this music carried on,” he continued. “There’s something about it. And grunge had its place, but it didn’t last — those bands didn’t really last. I think it’s a difference in values.
“Metal isn’t really getting bigger. It’s just slowly going out and we refuse to let metal go. And when you see metal live and you see a band that believes and plays well, it’s irresistible. It is the devil’s music — we know that because it’s completely irresistible and you’ll do anything to hear more of it.
“Metal is something that grips you in a certain way,” Blaze added. “It transcends fashion. If things go in circles… Well, I’ve been unpopular and unfashionable for most of the 35 years that I’ve been going, but I’m still going. So I’m trying not to be popular and not to be fashionable, and then my music, my brand of metal will just keep going. And every so often, every 10 years, there’ll be a little bump where people go, ‘Oh, Blaze Bayley,’ and then then I’ll just be where I was before.
“The most important thing, man, is that it comes from the heart. There’s something about metal that absorbs me, transforms me [and] takes me out of the normal world and away from everyday problems.
“When it’s great, to me, when it’s done well by masters, then metal is absolutely the best music. When it’s done badly by people who just take every cliché and don’t do anything original, it’s the worst music. And this is the curse that we have in heavy metal — it can be the best and it can be the worst, and sometimes it can be on the same album.”
The 58-year-old Bayley, who was born in Birmingham, recorded two studio albums with IRON MAIDEN — the aforementioned “The X Factor” and “Virtual XI” — before Bruce Dickinson returned to the group. The MAIDEN albums he appeared on sold considerably less than the band’s prior releases and were their lowest-charting titles in the group’s home country since 1981’s “Killers”.
Since leaving IRON MAIDEN in 1999, Bayley has released a number of albums, including several under the moniker BLAZE and more than a handful under his own name. He also appeared on 2012’s “Wolfsbane Saves The World”, the first album of new material by WOLFSBANE since the group’s self-titled 1994 effort.
Blaze’s latest solo album, “War Within Me”, came out in April 2021. All songs were written and produced by Blaze and guitarist Christopher Appleton.
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