Swedish extreme tech-metal pioneers MESHUGGAH have released “I Am That Thirst”, the second single from their upcoming ninth studio album, “Immutable”.

Due on April 1 via Atomic Fire, the follow-up to 2016’s “The Violent Sleep Of Reason” was recorded at Sweetspot Studios in Halmstad, Sweden; mixed by Rickard Bengtsson and Staffan Karlsson; and mastered by multiple Grammy Award winner Vlado Meller (METALLICA, RAGE AGAINST THE MACHINE, RED HOT CHILI PEPPERS, SYSTEM OF A DOWN). Visionary artist Luminokaya once again created the stunning cover artwork.

Full of surprises and yet instantly recognizable as the work of metal’s most idiosyncratic force, “Immutable” redefines and redesigns the MESHUGGAH sound across more than an hour of the most stimulating and absorbing music the band has ever made. Despite the challenges of the last couple of years, the progressive principles that have always informed their artistic efforts remain as cherished as ever. As we spiral towards a dystopian future, MESHUGGAH still stand alone.

For guitarist Mårten Hagström, the task of embarking on another unprecedented tech-metal odyssey was impossible to resist. “For us, it wasn’t all that clear that we were making a new album,” he said. “We knew we could do it, but did we want to do it? We had to decide, are we doing this or what else are we doing? After a long, long discussion, we agreed on certain things. We would make an album with as few restraints as possible. We would go in and try to make as cool an album as possible, have no anxiety about it and see it as an opportunity. How do we make this a challenge that we feel like accepting and rising up to? Pretty quickly we had a starting point. Everybody started to write, the ball started rolling and suddenly we were sitting there, discussing how many songs we were going to have to cut.”

Regarding the “Immutable” title, Hagström said: “The title fits perfectly for where we are as a band. We’re older now. Most of us are in our fifties now, and we’ve settled into who we are. Even though we’ve been experimenting all along, I also think we’ve been the same since day one. The way we approach things and why we still make new albums, and why we still sound the way we do, it’s immutable. Humanity is immutable, too. We commit the same mistakes over and over. And we are immutable. We do what we do, and we don’t change.”

The most inventive and creative metal band of the last 30 years and one of the most widely revered, MESHUGGAH has been standard bearers for forward-thinking creativity in heavy music throughout their illustrious careers. Over the course of more than 30 years and eight studio albums, Sweden’s widely worshipped progressive mavens have consistently redefined what it means to be heavy, while exhibiting a ferocious intelligence that belies the crushing weight of their riffs. From the ground-breaking savagery of 1995’s “Destroy Erase Improve” to the psychedelic tech-splorations of “CatchyThirtyThree”, and on to the streamlined grotesquery of “ObZen” and “Koloss”, MESHUGGAH has always been way ahead of the game and plainly without peer.

In October 2020, MESHUGGAH drummer Tomas Haake confirmed to Knotfest.com’s “Mosh Talks With Beez” that the band had spent much of the downtime during the COVID-19 pandemic working on fresh material.

Regarding the musical direction of the new MESHUGGAH songs, Tomas said: “Of course, we have a certain framework that we still wanna sound like MESHUGGAH, we wanna have that signature sound, we want people to be able to — even if they haven’t heard the song [before] — in the best-case scenario, it’s, like, ‘Oh, that’s gotta be MESHUGGAH,’ even if it’s a brand new thing. So hopefully that’s something we’re aiming at. But with that said, as far as the music goes, we try to [do] kind of the opposite of what AC/DC has been doing for 40 years. So we’re not trying to write the same album over and over. And whether we succeed with that or not, that’s more up to our fans and other people, but that’s definitely the aim. We try our best to kind of find new grips within the framework of what we’re supposed to be, I guess. ‘Cause we don’t wanna really step out of that either. We’re not looking to be another band all of a sudden or something that we haven’t been or that is not true to kind of what we’re doing.”

“Immutable” track listing:

01. Broken Cog
02. The Abysmal Eye
03. Light The Shortening Fuse
04. Phantoms
05. Ligature Marks
06. God He Sees In Mirrors
07. They Move Below
08. Kaleidoscope
09. Black Cathedral
10. I Am That Thirst
11. The Faultless
12. Armies Of The Preposterous
13. Past Tense

MESHUGGAH is:

Jens Kidman – Vocals
Mårten Hagström – Guitars
Dick Lövgren – Bass
Fredrik Thordendal – Guitars
Tomas Haake – Drums

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Jack Osbourne, the 36-year-old son of Ozzy and Sharon Osbourne, has revealed he secretly traveled to Romania to help Ukrainian refugees fleeing the conflict with Russia.

Earlier today, Jack shared a few photos from the trip via Instagram and he included the following message: “I’ve been very hesitant about posting this because I didnt do this for attention and I’m sick of seeing people doing stuff for causes just so they can post about it. I did this because I felt compelled to help and posting a flag or whatever just doesn’t quite feel like enough.

“Last week I returned from an incredibly eye opening and profound trip to Romanian / Ukraine border. I volunteered with a organization called @thirdwavevolunteers We were tasked with providing medical help to special needs orphans who were being evacuated from Ukraine with the help of another NGO. Although while I was there we were unable to get the children out, the NGO have began to evacuate them now, thankfully. I saw aspects of humanity at its worst yet also at its greatest. Whilst working along the border I saw waves and waves of refugees, mainly women and children all fleeing their country in hopes of finding safety. Fear and uncertainty was the most common feeling that was being portrayed. The Romanian border was organized and full of resources.

“You can watch the news all day, but it does not even being to portray the real story.

“I’d like to thank the team I was working with, for the sake of security I won’t name them here, but you know who you are.”

According to CBS News, 10 million civilians have fled from their homes as a result of Russia’s invasion of Ukraine, including about 3.5 million who have sought refuge in other countries. Nearly 60% of refugees have arrived in Poland. Over 400,000 went to Romania, 300,000 to Moldova, almost 300,000 to Hungary, and 220,000 to Slovakia.

A four-star Romanian hotel turned its ballroom into a shelter for Ukrainian refugees. Monks have also welcomed Ukraine refugees to a 5th-century Putna Monastery in the hills of north-eastern Romania.

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Heavy horror punk icon Wednesday 13 kicked off his 2022 U.S. headline tour, dubbed “20 Years Of Fear”, last night (Wednesday, March 23) in Albuquerque, New Mexico. Prior to launching into the song “Nowhere” from MURDERDOLLS, his one-time project with late SLIPKNOT drummer Joey Jordison, he told the crowd: “This part of the show I’d like to make some noise for our brother Joey Jordison. He left us far too soon. He was one of the most talented people I ever met. And he’s the reason any of you guys know who I am. So we picked a couple of songs, some of my favorite songs we liked to play with Joey. We’re gonna take it back about 12 years ago to the [MURDERDOLLS’ 2010 album] ‘Women And Children Last’. This is called ‘Nowhere’.”

Jordison — who played guitar for MURDERDOLLS — died “peacefully in his sleep” last July of an unspecified cause. He was 46 years old.

Three years ago, Wednesday 13 told the “Talk Toomey” podcast that he has fond memories of his time with the MURDERDOLLS. “That was such a special time for me — both times, both records,” he said. “I mean, we did a lot of cool stuff. But that very first time we came out, and the things we did, it was when nu-metal was dying, and we were just kind of like… I won’t say ‘breath of fresh air,’ ’cause it definitely wasn’t fresh; it was smelly. But we were something that kind of came in, and it was really amazing in certain places. In the U.K., it made me feel like THE BEATLES for five seconds. It was something I’ll never forget. I’ll never forget having your van almost rocked over by a hundred fans in the middle of Piccadilly Circus in London. That was pretty nuts.”

MURDERDOLLS had been inactive since completing the touring cycle in support of “Women And Children Last”, which came out in August 2010 via Roadrunner Records.

In 2018, Joey told the “Talk Toomey” podcast that he wasn’t opposed to the idea of collaborating with Wednesday 13 on new music. “Never say never, man — I mean, that’s life,” he said. “It’s kind of funny, ’cause we have a bunch of songs that have been written and a bunch that are ready to go. Timing is everything, man — not necessarily anything about, ‘Oh, we need to do this to impress people,’ or, ‘We need to put out this record or do something like that.’ Timing in life is everything, so we’ll see. Only time will tell.”

Jordison told CrypticRock.com in 2017 that he “would love to do another record” with MURDERDOLLS. He explained: “I have this punk rock and pop side of me that I don’t really get to get out in other areas in my life. When we did that band, it was just pretty much to express fun, have a great time, and kind of throw a monkeywrench into what was going on in rock and metal at the time, and it worked.”

Jordison — who played guitar for MURDERDOLLS — added that the tours he did with the MURDERDOLLS were “really awe-inspiring when you look in hindsight of what we accomplished in a short amount of time and the two records we did. I could not be more proud and happy of what we accomplished in that time,” he said. “Everyone that was in that band, the couple of different personnels we employed, the MURDERDOLLS were killer.”

Wednesday 13 reunited with onetime MURDERDOLLS members Eric Griffin and Acey Slade on stage for the first time in over a decade in August 2018 at Lucky Strike Live in Hollywood. The event, which celebrated the life of former MURDERDOLLS drummer Ben Graves, saw the trio performing some of the group’s classic songs.

Graves, who also worked with PRETTY BOY FLOYD and DOPE, passed away in May 2018 after a year-long battle with cancer. He was only 45 years old.

‼️ Tonight it begins in Albuquerque NM @launchpadabq

WEDNESDAY 13’s “20 Years Of Fear” U.S. Headline Tour.

Tickets &…

Posted by Wednesday 13 on Wednesday, March 23, 2022

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During a new “The Metal Tour Of The Year” bassist roundtable video chat with Knotfest’s Ryan J. Downey, MEGADETH’s James LoMenzo discussed the setlist for the upcoming 2022 leg of the trek, which will kick off on Saturday, April 9 in Las Vegas, Nevada and hit a further 21 cities before wrapping in Allentown, Pennsylvania on Sunday, May 15.

“You have to take into account that Dave’s [Mustaine, MEGADETH frontman] been through a lot with his voice, so a lot of the songs that we pick are predicated on [the fact] that he is healing correctly,” the bassist said, referencing Mustaine’s recent battle with throat cancer. “So that’s part of it as well. But it’s a long road ahead. We’re always swapping in songs. We’ve got a whole pile — they’re all sitting, waiting to be let loose. That’s the great thing about being in this band, is that there’s just an inexhaustible catalog.

“I don’t know how to say this delicately, so I’ll just say it. The truth of the matter is when you go to see a lot of your favorite bands — let’s be the fan guy; okay, let’s go to see our favorite band… I remember when JUDAS PRIEST was doing all of ‘Nostradamus’,” he continued. “It was a good record, but it wasn’t ‘Hell Bent For Leather’. And I’ve gotta say that people wanna hear the songs that they love. Why wouldn’t you play them for ’em?

“So that’s the problem with a band like MEGADETH,” James added. “And there are bands, as we move along — all bands, as you move along, you start just getting this giant catalog. And how do you get enough in there to give the core fans what they really want as opposed to the esoterics? You try and throw a thing here and there, but you’ve gotta keep the hits, man.”

The entire chat, which also included LAMB OF GOD’s John Campbell and TRIVIUM’s Paolo Gregoletto, can be seen below.

Two months ago, Mustaine confirmed that LoMenzo will play bass for MEGADETH when the band returns to the road next month. Joining them will be co-headliners LAMB OF GOD along with special guests TRIVIUM and IN FLAMES.

LoMenzo joined MEGADETH in 2006 and appeared on two of the group’s studio albums, 2007’s “United Abominations” and 2009’s “Endgame”. He was fired from the band in 2010 and replaced with returning original MEGADETH bassist David Ellefson.

In addition to MEGADETH, LoMenzo has played with Ozzy Osbourne, Zakk Wylde and WHITE LION. For the past nine years, LoMenzo has been performing with iconic rocker John Fogerty.

LoMenzo played his first show with MEGADETH in nearly 12 years last August in Austin, Texas. The concert took place three months following Ellefson’s dismissal from MEGADETH after sexually tinged messages and explicit video footage involving him were posted on Twitter.

Asked in an interview with Melodic.net what it has been like for him to play with MEGADETH on “The Metal Tour Of The Year” last summer after such a long absence from the band, James said: “Well, I’m really having the best time. Dave’s [Mustaine] been really welcoming and supportive, and the band as a whole is just fantastic. It’s a real powerhouse. Dirk is a dream drummer for this type of music, and Kiko’s just so musically deep. Dave’s playing as good or better than ever and now that he’s on those Gibson guitars, his sound is so much more gut punching then I remember it.”

Regarding how he ended up returning to MEGADETH, James said: “Dave’s management reached out at first to see if I’d even be available, which I really wasn’t, but after a call with Dave, I realized how important for MEGADETH and even for myself this would be. Time was ticking, so I knew it would be a crunch, but having been here once before the re-learning curve was a tad less steep. I made some arrangements with the Fogerty camp, and they were gracious enough to allow me a leave to do this.”

Mustaine has yet to reveal who played bass on MEGADETH’s new album after Ellefson’s tracks were removed from the LP following his exit from the group.

Ellefson laid down his bass tracks on MEGADETH’s sixteenth LP in May 2020 at a studio in Nashville, Tennessee.

In July 2021, Mustaine announced during an episode of his Gimme Radio program “The Dave Mustaine Show” that Ellefson’s bass tracks would not be used on the new MEGADETH album.

In early May 2021, Ellefson released a statement on Instagram denying all social media chatter that he “groomed” an underage fan.

On May 24, 2021, Mustaine — who formed MEGADETH with Ellefson in 1983 — announced the bassist’s departure from the band.

Ellefson was in MEGADETH from the group’s inception in 1983 to 2002, and again from 2010 until his latest exit.

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