Gretchen Menn

Gretchen Menn stands alone. One might argue that she’s the female counterpart to Steve Morse. Both are aviators, both play ungodly guitar, and both are ersed in the European traditions…

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Lamar Sorrento

As the title of his latest might just hint, Lamar Sorrento isn’t expecting to break into the big time or sweep the Grammys with this disc. That’s OK, because it’s…

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Melissa Carper and Sad Daddy

With her bass making a dependable, rhythmic anchor, Melissa Carper sings like a bird soaring “where the wind blows high above the trees,” as Bob Dylan said. It’s tricky to…

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Stéphane Wrembel

There’s plenty of Gypsy jazz guitarists who can play more notes at faster tempos than Django Reinhardt, but few can truly match the master in inventiveness, melody, and sheer swing….

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Roy Buchanan and Tom Principato

In 1972, Roy Buchanan shook up the guitar world with his self-titled debut album. The tones he extracted from his ’53 Tele, his facility with eclectic repertoire and techniques, from…

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Felix Martin

Sometimes six strings just ain’t enough. Venezuelan Berklee alum Felix Martin uses 14 and sometimes 16 strings to explore the contrapuntal galaxy of progressive melody and rhythm. Sounding like a…

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Tommy Emmanuel

As the title suggests, this is a collection of performances pulled from several Public Television concerts Tommy Emmanuel has done, including some never seen before. It will come as no…

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The Creation

Hard as it seems to imagine, there are U.K. bands of the ’60s who’ve remained obscure and unsung despite increasingly enthusiastic digging into that era. Case in point: the Creation….

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The Move, Santana, Derringer

Sometimes great bands and albums don’t bubble to the surface of fame, depriving fans of brilliant music. The Move is one of those acts and its wondrous pop is compiled…

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Eric Gales

This is the kind of album only Eric Gales could make. It’s full of fiery lines and repentant testimonials about rebirth and sobriety. He forsakes his adventurous rock personality in…

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