
The Berklee grad on what drew him to six-string basses over fours and fives, why sometimes it’s important to compromise on tone, and modern playing techniques versus the joy of “a simple melody you can’t stop humming”
The Berklee grad on what drew him to six-string basses over fours and fives, why sometimes it’s important to compromise on tone, and modern playing techniques versus the joy of “a simple melody you can’t stop humming”