GHOST kicked off its co-headlining tour with VOLBEAT this past Tuesday night (January 25) at the Reno Events Center in Reno, Nevada. During its 16-song set, GHOST debuted another song from its upcoming “Impera” album, called “Kaisarion”. Multi-camera fan-filmed video of the performance can be seen below.

GHOST leader Tobias Forge told Kerrang! magazine that “Kaisarion” — which features the line “We’re building our empire from the ashes of an old” — has to do with intolerance, and replacing the old by force.

“There was a building called Caesareum in ancient Alexandria,” Forge explained. “Roughly what happened was that the teacher and philosopher, Hypatia, was murdered by Christians. She was molested and murdered inside the building, because of her pagan beliefs, because she was a believer in science and real things. This was in the beginning stages of Christianity, when it was just an insane cult, before it got the mandate of a book put together by Romans in 325 to harness that shit. This was like an underground group of terrorists, basically, who couldn’t stand to see some female smartass preaching or telling people that the world wasn’t flat. And it didn’t happen at the same time, but they also burned down the big library in Alexandria, which must have been an enormous, enormous loss for mankind in terms of knowledge and historic accounts. There you go — for the greater good.

“I think that’s a nice symbol for what you can see now,” he said. “You can see likenesses of it in public book burnings and stoning and killing everything that doesn’t match with a sort of a flat Earth reality that some people live in. Or storming the Capitol and wanting to hang people. It’s a symbol for those sorts of movements that are always targeting smartness and enlightenment, and thinking.”

GHOST’s 26-date co-headlining U.S. arena tour with VOLBEAT and special guests TWIN TEMPLE will conclude on March 3 in Anaheim, California.

GHOST will release its fifth album, “Impera”, on March 11 via Loma Vista/Concord. The official music video for the LP’s latest single, “Call Me Little Sunshine”, was lensed by iconic director Matt Mahurin and stars Ruby Modine.

According to a press release, “Impera” “finds GHOST transported literally hundreds of years forward from the 14th century Europe Black Plague era” of its previous album, 2018’s “Prequelle”. “The result is the most ambitious and lyrically incisive entry in the GHOST canon: Over the course of ‘Impera”s 12-song cycle, empires rise and fall, would-be messiahs ply their hype (financial and spiritual alike), prophecies are foretold as the skies fill with celestial bodies divine and man-made… All in all, the most current and topical GHOST subject matter to date is set against a hypnotic and darkly colorful melodic backdrop making ‘Impera’ a listen like no other — yet unmistakably, quintessentially GHOST.”

In March 2020, at final show of GHOST’s “Prequelle” tour in Mexico City, Mexico, the band officially introduced Papa Emeritus IV, the new character who will front the act for its next LP phase.

Forge performed as a “new” Papa Emeritus on each of the band’s first three LPs, with each version of Papa replacing the one that came before it. Papa Emeritus III was retired in favor of Cardinal Copia before the release of “Prequelle”.

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Seven years after re-assuming the vocalist role after the departure of Dave Padden, ANNIHILATOR mainman Jeff Waters will return to focusing on his original position as the band’s lead guitarist. Current INTO ETERNITY and former ICED EARTH vocalist Stu Block will take over vocals for at least some of the future live performances. Block can also be heard on “Metal II”, the re-worked version of the band’s 2007 “Metal” studio album. “Metal II” also features former SLAYER drummer Dave Lombardo.

In a new interview with BLABBERMOUTH.NET, Waters was asked whether his recent bout with COVID-19 affected his vocals. “It might make them better,” he said. “The way I sing, it might make them better. Finally, I can do a raspy voice without having to try. No, actually, what I’ve done, again, with this big sort of life-changing thing in my little world, when I talked to Stu Block and Dave Lombardo about doing this — it’s not a new record [‘Metal II’], but I consider it ‘re-envisioning.’ It’s not meant to be some competitive thing. The drummer on the original, Mike Mangini, is probably one of the best drummers in the world. Dave Padden, our singer and guitar player, was great. It wasn’t about that. It was ‘Let’s release a second version.’ Not stomp on the past. It was something fun to do to create attention for the label that they are releasing the catalog. It’s working so far. People are like, ‘Wow! A new album.’ I’m like, ‘Well, sort of.’ So I decided I’m not singing anymore. I’m a guitar player. I took over singing on my fourth record, ‘King Of The Kill’.”

When asked whether his abdication of vocal duties meant increased involvement for Block in ANNIHILATOR, Waters said, “Bingo. I asked him if he would do the reunion thing — because it’s been 31 or 32 years or something for our first three Roadrunner albums. To North America, those are the only ones anyone has ever heard, especially the first two. We actually have another 14 albums.”

Waters alluded to a possible North American reunion tour featuring past ANNIHILATOR members who played on the band’s early, seminal Roadrunner Records albums, particularly 1989’s “Alice In Hell” and 1990’s “Never, Neverland”. “Alice In Hell” vocalist Randy Rampage passed away in 2018, leaving “Never, Neverland” vocalist Coburn Pharr and “Set The World On Fire” vocalist Aaron Randall as possible guests on the proposed tour.

“If Coburn is healthy enough, he’s into it,” said Waters. “I told Stu I don’t want to sing anymore. It’s too taxing. It takes too much of a toll. I’m not a great singer. It’s really tough to play and sing. I don’t have that natural, awesome singing voice. Like, for example: [METALLICA’s James] Hetfield and [MEGADETH’s Dave] Mustaine are amazing. Hetfield for his tones, but Mustaine, as I found out singing — I’ve done about seven records with my band as a singer, so probably about 20 tours, including festivals — Hetfield was my guy, but Mustaine also became my guy, so to speak, he can write these rhythm guitar riffs and what James does is he’ll do a simple riff and sing on it. When he’s done singing, here’s the real, killer James Hetfield, then he goes back to singing. That came out of JUDAS PRIEST. That’s probably where he got it. [Glenn] Tipton was a genius. If you listen to [Rob] Halford on any of those classic PRIEST songs, they’re playing one note on the guitar. When Halford stops, here’s the riff. That’s Hetfield. Dave Mustaine threw out all that garbage. He’s playing all this crazy-timed stuff and able to sing over it. It’s incredible.

“I’m not in that league,” he continued. “I think I’m a good guitar and bass player — I do all the bass on the albums. I think I’m pretty good at guitar and bass and some other things, but guys like that are just the top. Fans know it because of the songs, but I think musicians who take this seriously for a career look at these guys and go, ‘They’re so much bigger and better than what you see on the news sites posting and showing people making a mistake on YouTube.’ They’re beyond genius. I was like, ‘Let me stay on guitar like I used to do. Do you want to come and sing with us anytime we do shows, like the anniversary tours?’ [Stu] said, ‘Absolutely for the anniversary tour. It would be a blast.’ Plus, he’s a good backup if one or the other singers wasn’t feeling well or can’t make it.”

earMusic recently announced a reissue series of (almost) the entire ANNIHILATOR catalog. In total, 18 records are going to be released over the next few years, including the original 2007 version of the “Metal” album.

Other guests on “Metal II” are Willie Adler (LAMB OF GOD), Alexi Laiho (CHILDREN OF BODOM), Steve “Lips” Kudlow (ANVIL), Dan Beehler (EXCITER), Jesper Strömblad (IN FLAMES), Angela Gossow (ARCH ENEMY), Jeff Loomis (ARCH ENEMY, NEVERMORE), Anders Björler (THE HAUNTED, AT THE GATES) and Corey Beaulieu (TRIVIUM).

Founded in 1984, ANNIHILATOR took the metal scene by storm with its debut 1989 release “Alice In Hell”, upped the ante with 1990’s “Never, Neverland” and has continued a non-stop career-pattern of releasing records and touring with many of the biggest bands in the metal genre (mostly all outside North America), ever since; cementing ANNIHILATOR as the biggest-selling metal act in Canada’s history.

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STAIND frontman Aaron Lewis has railed against COVID-19 vaccine mandates, calling the life-saving jab an “unproven” drug which hasn’t been “tested.”

Lewis, an outspoken conservative rocker who reinvented himself as a solo country artist in the last decade, voiced his views on vaccines before performing his new single called “Am I The Only One” during his January 23 concert at Shreveport Municipal Auditorium in Shreveport, Louisiana.

Aaron told the crowd (as transcribed by BLABBERMOUTH.NET): “I can’t sit here while every voice with integrity is silenced while they indoctrinate our children to think that this country’s bad, while they tell us that we need our children up with vaccines that aren’t proven, that aren’t tested, that we need to practice…” When someone in the crowd shouted “safe sex,” Lewis laughed and went on to reference Dr. Anthony Fauci, director of the National Institute of Allergy and Infectious Diseases (NIAID), who has made numerous important discoveries related to HIV/AIDS and is one of the most-cited scientists in the field. “Safe sex. Yes. Of course. Because Dr. Fauci gave us AIDS,” he said.

“Do your homework. Do a little searching. Fauci’s lied about everything since 1980-fucking-three. He fails at everything he does and gets promoted every time he does it.

“Anyways, all I’m trying to say is that everybody needs to wake the fuck up,” Lewis continued. “This ain’t about left or right; it’s about good and evil. These are biblical times that we’re living, people. I would suggest that if you’ve lost touch or lost faith with the Lord, I would highly suggest that you seek some reattachment. Because the most evil and lecherous people in the world are who are in control right now. Because while we’ve been sleeping, enjoying this amazing, amazing life that we take for fucking granted every goddamn day, they’ve been scheming. They never had the tools to do it throughout history; they do now. It’s in your fucking hand right now. That phone that you’re holding up recording what I’m saying right now, that is how they do it. That’s how they win.

“I love this country very much. I’m very grateful for what this country has afforded me in life. We’re about to lose it, people,” Aaron added. “If we don’t stand up.”

After someone in the audience started chanting “U-S-A”, Lewis said: “It’s not a fucking chant. It’s not a chant. This is real. This is fucking real, people. If we don’t wake the fuck up…

“This country is the only country designed the way that it is designed. We hold the power,” he said. “Not the government. We put them there to honor our wishes because we trust them with our lives. And if you think for one second that any politician, minus a handful — Madison Cawthorn being one; that motherfucker is a badass,” Aaron said, referencing the North Carolina representative who drew the ire of liberals on social media earlier this month after cleaning his gun during a veterans affairs hearing. “Marjorie Taylor Greene,” Lewis added, referencing the Republican Georgia representative whose Twitter account was recently “permanently suspended” for violating the company’s policy against sharing misinformation about COVID-19. “There’s a few.

“I’m high. I’ve been drinking. I can’t remember ’em all,” Aaron continued. “But there’s a few that it’s really not about a power grab; it’s doing what we’re supposed to do with the design that we have of this country.

“What we have forgotten as people is that we have a responsibility to keep this country too. If we just leave it in the hands of the government, then you can expect this country to go fucking headfirst into the toilet. Because they’re not in it for us. These are people that have never held a real job in their fucking lives. They got into politics straight out of college and never fucking had a responsibility in life like you do in this fucking room. And you trust these people.

“Whatever side…. Whatever side… The fucking Republicans are just as disgusting and just as fucking responsible for where we are as the Democrats are,” Aaron added.

“What it is is that we sit back and we allow a government full of lecherous people to make decisions on our behalf, and we can’t allow that anymore.

“I think that’s about as middle down the road as I can fucking get.”

Lewis, who is widely considered to be one of the most politically conservative musicians in rock, made headlines in September when he urged his fans to chant “Fuck Joe Biden” during a STAIND concert in Pennsylvania.

Aaron told the Anchorage Press in a January 2020 interview that he considered the first Donald Trump impeachment by the House Of Representatives as the clearest representation of what’s wrong with America these days.

Lewis was a staunch critic of President Barack Obama, telling a crowd at one of his solo concerts in 2016: “Barack Obama should have been impeached a long fucking time ago. Every fucking decision he makes is against the Constitution, it’s against what’s good for our fucking country, and he is truly the worst fucking president that we have ever had in the history of this fucking country.”

That same year, Lewis told Billboard that he would support Trump in the U.S. presidential race, even though he was “disappointed” by the real estate mogul “with the bickering and the name-calling.” Lewis added that he voted for Senator Ted Cruz, Trump’s closest competitor in the Republican nomination race, in the Massachusetts primary.

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Kid Rock says that Donald Trump is “proud” of him over the success of his profanity-laced new single that bashes President Joe Biden and Dr. Anthony Fauci over vaccine mandates and other policies.

“We The People” features the chorus of “Let’s go, Brandon,” conservative code for “Fuck Joe Biden” (born when a NASCAR reporter misheard a crowd, reporting that they chanted in support of racer Brandon Brown when they were actually chanting expletives toward the U.S. president), and also takes aim at the mainstream media, CNN, TMZ, Twitter and Facebook. The track was released on Monday, along with two others, to promote Kid Rock’s upcoming “Bad Reputation” tour, which he claims could be his last.

Earlier today (Wednesday, January 26), Kid Rock took to his Twitter to write: “Oh, and by the way…. I just got off the phone with our 45th President (hopefully 47th) and he expressed how proud of me he was over ‘We The People’ being the #1 song on Itunes! Suck on that you trolls, critics and haters!” He added: “Thank you to all the fans, I can’t wait to see you on tour! Pedal to the fuckin’ metal, LETS GO!!”

In “We The People”, Kid Rock shouts: “We the people in all we do reserve the right to scream, ‘Fuck you!’ Wear your mask. Take your pills. Now a whole generation is mentally ill,” he adds.

Elsewhere in the song, he raps: “(Hey-yeah) man, Fuck Fauci (Hey-yeah). COVID’s near. It’s coming to town. We gotta act quick, shut our borders down. Joe Biden does, the media embraces. Big Don does it, and they call him racist.

“Inflation’s up like the minimum wage. So it’s all the same. Not a damn thing changed,” he exclaims.

He then calls for politically polarized Americans to come together, saying: “We gotta keep fighting for right to be free. And every human being doesn’t have to agree. We all bleed red, brother, listen to me. It’s time for love and unity.”

The track concludes with sampled crowd chanting, “Let’s go, Brandon.”

In a Facebook video announcing the new tracks, Kid Rock described “We The People” as a “hard rock-rap tune.”

“[It’s] about, well, all the craziness going on in our world in the last few years and the politics and the polarization and social justice,” he said. “You know, constantly for just being a Trump fan attacked in the media day in day out.”

He added: “I don’t mind taking a punch, but I hit back, motherfucker, and I hit hard.”

“We The People”, “The Last Dance” and “Rockin'” are all expected to appear on Rock’s new album, “Bad Reputation”, which is due later this year.

Kid Rock will join forces with FOREIGNER and GRAND FUNK RAILROAD for a U.S. tour this spring summer. JASON BONHAM’S LED ZEPPELIN EVENING will appear on select dates, with a special appearance by Trey Lewis at all shows. The 24-city “Bad Reputation Tour” will kick off on April 6 at the Ford Center in Evansville, Indiana, making stops across the U.S. in Nashville, Boston, Chicago, and more before wrapping up with two shows in Detroit.

Oh, and by the way…. I just got off the phone with our 45th President (hopefully 47th) and he expressed how proud of me he was over “We The People” being the #1 song on Itunes! Suck on that you trolls, critics and haters! Continued… (1/2)https://t.co/nlmw7vA1dS
— KidRock (@KidRock) January 26, 2022

(2/2)…. Thank you to all the fans, I can’t wait to see you on tour! Pedal to the fuckin’ metal, LETS GO!! -Kid Rock
Check out all THREE new songs herehttps://t.co/OYpJwCwFNz

— KidRock (@KidRock) January 26, 2022

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During a recent appearance on “The Joe Piscopo Show”, Ted Nugent paid tribute to iconic rock singer Meat Loaf, who died on January 20 at the age of 74. He said (as transcribed by BLABBERMOUTH.NET): “This guy was so gifted. And more important than that, he was a funny son of a bitch. He was such a shining light of just good will and decency and the work ethic. I cannot rave enough about what Meat Loaf epitomized for life, liberty and pursuit of rock and roll happiness. What a driving force of nature he was.”

Speaking about his memories of his collaboration with Meat Loaf on 1976’s “Free For All” album, Ted said: “I have a flood, a tsunami, a bombardment of incredible, funny, outrageous, bellyaching laughter moments. ‘Cause if you’re not having fun with me, you’re weird. And everybody, especially Meat Loaf… He spent enough time in Detroit to learn the importance of cockiness, and he was very good at his cockiness. He was right up there with you and me, Joe. But every day in the studio… Number one, because we were all clean and sober, so our humor, our laughter, our passion, our work ethic was united to deliver the ultimate musical performance. So between me and Meat Loaf and [producer] Tom Werman and everybody in our team, it was an absolute orgy of laughter. But once the recording button was hit, it was serious, serious business without losing the sense of humor and the passion and the outrageousness, and, more important, the defiance. What defines Meat Loaf’s best music? He was a defiant son of a bitch, and I love him for that. And that will always be with us.”

According to TMZ, Meat Loaf was “seriously ill” with COVID-19 just days before his death. The singer was due to attend a business dinner earlier this week for a show he was working on based on his classic hit “I’d Do Anything For Love” but canceled after becoming sick.

Meat Loaf had reportedly been outspoken about vaccine mandates. In May, he posted a clip of Eric Clapton and Van Morrison’s anti-lockdown song “Stand & Deliver”, writing, “Listen and Learn.” He also reportedly told a fan in a Cameo video three weeks ago that he recently had an endoscopy and complained about seemingly endless lockdowns and restrictions, telling the fan: “COVID’s a drag, but you can blame China.”

In one of his last interviews, Meat Loaf appeared to be losing patience with pandemic measures. Speaking to the Pittsburgh Post-Gazette in August, Meat Loaf said: “I understood stopping life for a little while, but they cannot continue to stop life because of politics. And right now they’re stopping because of politics.” He also claimed that masks are “useless” and a “nuisance” that only “make your nose itch and make it so you can’t breathe.” He complained about being asked to wear a mask on a plane and said, “If I die, I die, but I’m not going to be controlled.”

Meat Loaf is survived by his two daughters, his son-in-law Scott Ian (ANTHRAX) and grandson Revel Young Ian.

Meat Loaf’s amazing career spanned six decades and saw him sell over 100 million albums worldwide and star in over 65 movies, including “Fight Club”, “Focus”, “Rocky Horror Picture Show” and “Wayne’s World”.

His “Bat Out Of Hell” remains one of the 10 top-selling albums of all time.

No cause of death has yet been revealed.

The Dallas-born singer’s real name was Marvin Lee Aday.

His 1993 hit “I’d Do Anything For Love (But I Won’t Do That)” earned him a Grammy Award.

“Bat Out Of Hell” was also adapted as a stage musical, written by longtime collaborator Jim Steinman.

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Punk has been in a bad place for a while. Metalheads get bent when they see a Kardashian wearing a band shirt but punk has suckled corporate and pop culture teat since Green Day became multimillionaires and The Offspring took over FM radio in the 90s. How long do we have to wait for someone…
The post Full Album Stream: Milquetoast’s ‘Caterwaul’ appeared first on Decibel Magazine.

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Steve Vai spoke to the “Rock Of Nations With Dave Kinchen” classic rock show about the impending retirements of two of his former bandmates, ex-VAN HALEN singer David Lee Roth and WHITESNAKE leader David Coverdale. He said (as transcribed by BLABBERMOUTH.NET): “It’s really hard when you’re a singer, first of all. Once you start getting into your 50s, 60s, things change [with your vocal cords].

“These guys are heroes — they came and they delivered hard. And God bless ’em. And now that they’re at that point where they just wanna kind of gracefully bow out, I think that we should celebrate them.”

Vai played with Roth on his 1986 album “Eat ‘Em And Smile” as well as its 1988 follow-up, “Skyscraper”.

“Eat ‘Em And Smile” was the first of two Roth albums to feature the duo of Vai and Billy Sheehan on guitar and bass. Throughout the LP, the two would often sync complicated bass lines together with the lead guitar parts, as on tracks such as “Shyboy” and “Elephant Gun”.

Following the eight-times-platinum success of its eponymous album in 1987, WHITESNAKE returned two years later with “Slip Of The Tongue”. At the time, the band included Coverdale, Vai, bassist Rudy Sarzo, drummer Tommy Aldridge and guitarist Adrian Vandenberg. Vandenberg and Coverdale co-wrote all but one song on the album, but Vandenberg couldn’t record them in the studio at the time due to a hand injury. To fill the void, Vai joined the band for the album and tour.

Earlier this month, Vai postponed his planned tour of North America until the fall. The first U.S. leg of dates will now begin on September 28 in El Cajon, California and wrap the first week of December. The itinerary will now feature performances in 52 markets as opposed to the initial plan of staging 54 shows. All ticket and VIP purchases will be honored for the rescheduled date. Vai’s performance in Atlanta, Georgia will now take place at the Variety Playhouse instead of The Eastern and due to scheduling conflicts, the Milwaukee, Wisconsin and Billings, Montana shows will no longer be a part of the tour.

Approximately one year ago, Vai underwent shoulder surgery to repair an injury. That procedure was successful, enabling him to record the upcoming studio album release of “Inviolate” (Favored Nations / Mascot Label Group). In preparing for the tour, it became clear that a new injury emerged that requires another surgery, prohibiting the tour to be staged as previously announced.

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Canadian all-girl metallers KITTIE have confirmed the lineup of the band that will perform at Las Vegas’s When We Were Young festival this fall. Joining vocalist/guitarist Morgan Lander and drummer Mercedes Lander will be guitarist Tara McLeod and bassist Ivana “Ivy” Vujic.

A member of KITTIE singer 2005, McLeod told Premier Guitar about her role in the band: “On the creative side of things, Morgan and I are very comfortable with each other because we’re both naturally very shy. We just don’t feel any sort of embarrassment showing each other an idea. And that makes for a much more relaxed writing session.”

Morgan stated about Tara: “Tara is such a fabulous guitar player and is so invested in her instrument, and she also likes all different genres of music. She’s one of my best friends. When she joined, it added a really amazing element that I think was lacking. It can get stagnant after a while, people with the same ideas. I think it was integral to the evolution of the band.”

Vujic joined KITTIE in 2008 and appeared on the band’s fifth studio CD, 2009’s “In The Black”. She also wrote and recorded bass for KITTIE’s sixth album, 2011’s “I’ve Failed You”.

When We Were Young will be held on the Las Vegas Festival Grounds on the Strip on October 22, October 23 and October 29.

Officials said the “emo” festival will feature the same lineup on all three dates, with the exception of Alex G replacing Wolf Alice on October 29, and La Dispute will not perform on October 29.

The lineup also includes MY CHEMICAL ROMANCE, PARAMORE, AFI, THE USED, BRING ME THE HORIZON, TAKING BACK SUNDAY, DASHBOARD CONFESSIONAL, ALKALINE TRIO, MANCHESTER ORCHESTRA, THE ALL-AMERICAN REJECTS, AVRIL LAVIGNE, WOLF ALICE, STORY OF THE YEAR, JIMMY EAT WORLD and many others.

When the lineup for When We Were Young was first revealed, KITTIE said: “Thanks for your patience with our silence friends. The truth is we’ve been in full on crisis mode the past week and weren’t sure if we’d actually be able to make this happen but it’s true and we’ll be there to melt your face off and we hope you got your tickets.”

After the third When We Were Young date was announced, KITTIE wrote: “Third show added! Super stoked that @whenwewereyoungfest has decided to add yet another date! October 29th 2022. We’ll see you there…tickets on sale January 31st”.

KITTIE has not performed since its reunion show at London Music Hall in the band’s native London, Ontario in 2017, celebrating the group’s documentary “Kittie: Origins/Evolutions”.

Earlier this month, the original lineup of KITTIE — Morgan, Mercedes, Fallon Bowman (guitar) and Tanya Candler (bass) — reunited for an online chat to celebrate the 22nd anniversary of its gold-certified 2000 debut album, “Spit”.

Candler left KITTIE after the release of “Spit” in order to finish high school and was replaced by Talena Atfield.

Bowman exited KITTIE in 2001 and started her own industrial/electronic project, AMPHIBIOUS ASSAULT.

After KITTIE completed the touring cycle for 2011’s “I’ve Failed You” album, the band entered a long period of inactivity during which Morgan focused on a marketing job for a chain of fitness clubs while Mercedes worked in real estate and more recently at a software company. The group also began work on a career-spanning documentary, “Origins/Evolutions”, which finally saw the light of day in 2018 via Lightyear Entertainment in North America.

Last May, Morgan told Pierre Gutiérrez of Rock Talks that KITTIE was still “on hiatus.” She explained: “Since the documentary was filmed and has been released, there’s been some changes. We are no longer a signed act. So if we were going to make new music, it would be released independently. But we do still have a number of legacy-type projects that we are going to be releasing and working on for the future. We love to be able to pay tribute to the things that we’ve done in the past. And I know that a lot of people are even just excited for re-releases of old stuff and whatnot. We’re always looking for ways to reintroduce people [to KITTIE’s music] and whatnot. So we do have a couple of things coming down the pipeline. I can’t really give too many details yet, but there will be announcements and it will be awesome and it should be pretty fun. But no new music as of right now.”

“I’ve Failed You” sold 3,000 copies in the United States in its first week of release to debut at position No. 178 on The Billboard 200 chart.

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