Bringing you the first track from the long-awaited full-length from Alabama gravefillers Writhing Shadows.
The post Track Premiere: Writhing Shadows – “Warplust Contortions” appeared first on Decibel Magazine.

TWISTED SISTER singer Dee Snider spoke to Tom La Vecchia of Armchair MBA about how the rise of grunge in the early 1990s forced most hard rock bands off the radio and MTV, with album and tour sales plummeting. Asked if he saw Seattle bands like NIRVANA and SOUNDGARDEN slowly gaining popularity of at the expense of 1980s metal, Dee said: “Well, no one saw it coming, but I was already dead and semi-buried before grunge hit. TWISTED arrived in the early ’80s and then we hit our stride in the mid-’80s and by the late ’80s, the band had broken up. I had a band called DESPERADO [with former IRON MAIDEN drummer Clive Burr and ex-GILLAN guitarist Bernie Tormé] that got shelved by Elektra Records; a lot of money we spent on that record. So I was sort of already removed as a featured artist by that point, and I was struggling trying to find my footing with DESPERADO and then WIDOWMAKER. And then I got the letter in the mail, certified letter, ‘We have decided we’re no longer doing what you do — look like you, sound like you, sing like you, write like you, perform like you. We actually don’t want anything to do with anything you ever did. Sincerely, the music-buying public.’ [Laughs] And that’s when the bottom really fell out. I mean, imagine being a doctor who studied a form of medicine, and they found a cure for it. You’re a cancer specialist — a specialist; it’s what you dedicated your life to — and you get a pill that cures [cancer]. You’re out of work. Grunge cured hair metal. So I was out of work.”

Less than two years ago, Snider told Ultimate Guitar that he “loved” NIRVANA and other grunge bands when they emerged. “When they first came out, it wasn’t even called grunge,” he explained. “And this is the thing about titles — even heavy metal, punk, hair metal, those are not titles chosen by the artists; they’re titles chosen by the writers. And usually as a negative connotation. Usually as a form of a putdown. And the artists that they called grunge, called punk, called heavy metal — they hated it. This is a fact, dude. I’m old. I know this, a fact: if you mentioned grunge to SOUNDGARDEN or PEARL JAM, they got physically violent with you. They were just a rock band. And if anything, SOUNDGARDEN, ALICE IN CHAINS, they were metal bands. They were touring with Ozzy [Osbourne]. It just became defined by some writers; they pigeonholed it and called it a new sound.”

Dee continued: “When it first came out, I was, again, doing metal radio, and I was playing ALICE IN CHAINS, SOUNDGARDEN, NIRVANA on my show, and I was like, ‘This is great, heavy new stuff.’ So then it became defined as grunge, and then it was the hair metal killer, and that was awful.

“But I don’t blame it on the music; hair metal did it to itself. It became too commercialized, and then it got unplugged and became nothing but power ballads and acoustic songs, and it wasn’t metal anymore. It had to go; it had to change.”

Upon release in September 1991, NIRVANA’s “Smells Like Teen Spirit” wreaked confusion upon the hair metal vanguard, putting an end to an era dominated by glamorous, androgynous and sparkly rock stars who absolutely saturated the radio waves and were almost exclusively what aired on MTV.

Snider’s TWISTED SISTER bandmate Jay Jay French told Daniel Sarkissian of the “Rock Is Dead?” documentary about the death of hair metal and arrival of grunge: “The only band that leapfrogged and saved themselves was GUNS N’ ROSES. And my theory is that GUNS N’ ROSES was not perceived as a joke. They came out of L.A., but I think that Axl [Rose], first of all, had a great voice. I think that they were perceived as real, not fake. Like, they were real junkies, not pretend junkies. So there’s an authenticity. It’s all about authenticity, and grunge is all about authenticity. People wanted authenticity, so they got it with grunge. It wiped out the perceived frivolousness of hair metal, which is, ‘Hey, man. Let’s party. Let’s get the girls and drink.’ I think people just got sick of that, and they wanted [something more] authentic.”

Former MÖTLEY CRÜE singer John Corabi told Newsday in a 2014 interview that the CRÜE album he sang on was a commercial disappointment because the music scene had changed, with hair metal brushed aside for grunge.

“Everybody was listening to ALICE IN CHAINS and SOUNDGARDEN,” Corabi said. “At that point, we were considered passé.”

According to Corabi, CRÜE’s ill-fated 1994 American tour ” was a nightmare. We weren’t selling tickets. It was just horrible,” he said.

In 2019, former TNT singer Tony Harnell said that the rise of the grunge movement, which symbolized the working-class spirit and focused on music over image, was ultimately a positive thing for the rock genre because it “shined a really harsh light on how boring and repetitive” the ’80s glam metal scene had become. He explained: “It was the same look, the same songwriters, the same producers, and it just started to be… Nobody was offering anything… Don’t get me wrong, there were a few that got in there that were interesting and different, but, for the most part, they were all just sort of rehashes, slightly, of other bands.”

In a new interview with “Chris Akin Presents…” , TESLA guitarist Frank Hannon was asked if there are any plans for the band to work on a full-length album following the release of the “Cold Blue Steel” single, which came out last August. He responded (as transcribed by BLABBERMOUTH.NET): “Right now, after we did the ‘Shock’ album [in 2019] and the way things are right now, we’re only gonna concentrate on one song at a time. We’re pushing late 50s, mid 60s in our age, and the bottom line is there’s no need to put the pressure on a deadline of you’ve gotta fabricate 10 songs by the first of June and force it. So, we’re not gonna do that. We’re gonna just write songs as they come and as we feel them, and put ’em out as singles right now. The whole idea of trying to cram an album for the sake of cramming an album doesn’t appeal to us.”

Pressed about whether TESLA will eventually compile all the standalone singles and release them as a full-length CD, Hannon said: “Absolutely. Maybe a box set. Maybe some kind of collection of some sort. We do have a lot of outtakes and some things that we’re gonna work on. But right now I’m just happy doing one song at a time. And at the end of the year, if we’re able to squeeze out eight or 10 of ’em, then we’ll put ’em all together.”

Earlier in the month, TESLA released the official lyric video for “Cold Blue Steel”. The clip, directed by Brandon Gullion and produced by Hannon, is raw and high electric energy that takes fans back to the roots of TESLA.

Hannon stated: “‘Cold Blue Steel’ is influenced by current events of the world, just like our debut single ‘Modern Day Cowboy’ (1986), and touches on the subject fairly and open-minded by asking ‘what’s to blame?’ when it comes to violence in the world. More importantly, the recording and production of the song and video are kept raw and real, just the way TESLA fans want to see and hear us. We are survivors and have been rocking for 35-plus years.”

The 2022 radio remix version of “Cold Blue Steel” is being offered as the version for the airwaves with the guitars and vocals being cranked up louder and with the raw energy being preserved. Frank explained: “Some folks were reluctant to play the track with its explicit lyrics in the verse, so I created a clean version for radio with a bleep. As a bandmember and being the producer, we approve of these changes and really love the remixed audio enhancement for radio play. This is TESLA in real honest form and independently producing our music for the first time as an official release.”

“Cold Blue Steel” is the first TESLA song to ever be produced by the bandmembers themselves.

“Producing ourselves is allowing us to creatively record new music and keep it as raw and real as possible,” Hannon said.

Last December, Hannon told Let’s Rock that the lyrics to “Cold Blue Steel” have been partially misinterpreted by some fans.

“We’ve been getting a lot of flak from people that only hear the couple of verses in the song, thinking it’s about gun control,” he said. “And in a way it is, but, really, it’s so much deeper than that, the lyrics. We try to definitely not take sides and be political but we wanna sing about a situation. Something like what we did with ‘Modern Day Cowboy’ in the ’80s; we sang about foreign lands and terrorist demands and ‘bang bang, shoot ’em up’ and how that attitude was still happening in the world at that time, being a gunfighter, cowboy situation, but we’re not pointing fingers. And that’s the same way with this song, but some people only hear parts of it and have been giving us some shit about it. But if you listen to the lyrics, it’s asking a question, ‘What’s to blame? Let’s get real.’ And the song is really about people that you give ’em an inch, they take a mile — whether it’s a politician, whether it’s a crook, whether it’s a police officer. And we support our police.”

He added: “There’s evil intentions in all parts of life, and that’s what the song is really about — just observing and asking the question, ‘What’s to blame?’ It’s not talking about ‘take away guns’ or any of that shit. But it started off just being a fun poke at Ronnie Van Zant. That last lyric in the song, ‘Just like Ronnie said, ‘Let’s dump ’em to the bottom of the sea,’ that’s where the song started for fun. And then we took it and tried to make it a little bit more serious.”

TESLA has U.S. shows scheduled throughout the spring and summer.