SKID ROW played its second show with ex-H.E.A.T. vocalist Erik Grönwall Wednesday night (March 30) at Zappos Theater at Planet Hollywood Resort & Casino in Las Vegas, Nevada as the support act on the rescheduled dates for SCORPIONS’ “Sin City Nights” residency.

SKID ROW’s nine-song set included its new single, “The Gang’s All Here”, which was made available last Friday (March 25). The song is the title track of the band’s upcoming album, which will arrive on October 14 via earMUSIC.

SKID ROW’s setlist was as follows:

01. Slave To The Grind
02. Big Guns
03. 18 And Life
04. Piece Of Me
05. Livin’ On A Chain Gang
06. Monkey Business
07. I Remember You
08. The Gang’s All Here
09. Youth Gone Wild

Fan-filmed video of the concert is available below.

Grönwall recently joined SKID ROW as the replacement for ZP Theart.

SKID ROW recorded “The Gang’s All Here” in Nashville, Tennessee with producer Nick Raskulinecz, who has previously worked with FOO FIGHTERS, STONE SOUR, HALESTORM, EVANESCENCE, RUSH and ALICE IN CHAINS, among many others.

SKID ROW bassist Rachel Bolan and guitarist Dave “Snake” Sabo said in a statement: “We are beyond excited to release this record. It has been a long time in the making and a lot of hard work has been put into it by the band and our producer Nick Raskulinecz. The addition of Erik has lifted the songs to new heights. Add all this to the fact that we start our world tour in Las Vegas with the SCORPIONS residency this Saturday at Zappos Theater makes it easy to say that SKID ROW is going to have a great year.”

Grönwall sang on H.E.A.T.’s last four studio albums — “Address The Nation” (2012), “Tearing Down The Walls” (2014), “Into The Great Unknown” (2017) and “H.E.A.T II” (2020) — before exiting the group in October 2020.

Grönwall was diagnosed with acute lymphoblastic leukemia in March 2021. A short time later, he wrote on his social media: “I am extremely privileged and grateful to live at a day and age where a disease like this is curable. There’s been so much progress made in this field. My body is reacting well to the treatment but it’s a long treatment and it’s going to be the toughest challenge of my life so far, for me and my family.”

Last September, Grönwall released his cover version of SKID ROW’s “18 And Life” via all streaming platforms. At the time, he said about his version of the track: “This song was basically the starting point of my professional career as an artist. I performed this song during my ‘Swedish Idol’ audition back in 2009. 12 years later it’s time to give this bad boy a try again. Here’s my version of the SKID ROW song ’18 And Life’.”

In 2018, Grönwall debuted in the U.S. for 10 million viewers in NBC’s live broadcast of Andrew Lloyd Webber’s and Tim Rice’s musical “Jesus Christ Superstar”. Along with John Legend, Alice Cooper, Sara Bareilles and others, Erik played the key role of Simon Zealotes.

Theart, a former member of DRAGONFORCE, joined SKID ROW in 2016 following the departure of Tony Harnell (TNT, STARBREAKER).

Sebastian Bach fronted SKID ROW until 1996, when he was fired. Instead of throwing in the towel, the remaining members took a hiatus and went on to play briefly in a band called OZONE MONDAY. In 1999, SKID ROW reformed and, after a bit of shuffling over the years, featured a lineup consisting of Bolan and guitarists Sabo and Scotti Hill, alongside drummer Rob Hammersmith and singer Johnny Solinger. SKID ROW fired Solinger over the phone in April 2015, a few hours before announcing Tony Harnell as his replacement. Eight months later, Harnell exited the band and was replaced by Theart, the South African-born, British-based singer who previously fronted DRAGONFORCE, TANK and I AM I.

Skid Row performing ‘I remember you’ (Zappo’s theater, Las Vegas, Mar 30, 2022).

They’ve still got it. What a fantastic live act! No lip synching, tremendous pipes, sheer electricity.

Posted by Amit Deshpande on Wednesday, March 30, 2022

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A year ago, it was announced that Reach Music Publishing had acquired a 50-percent interest, as well as worldwide administration rights, to the Glenn Tipton song catalog. The acquisition covers Tipton’s songwriting catalog of almost 200 songs as a member of JUDAS PRIEST, including works dating back to 1977, beginning with the album “Sin After Sin” and continuing through to the band’s last studio album, “Firepower”, released in 2018. Tipton’s solo albums, “Baptizm Of Fire” and “Edge Of The World”, are also included in the acquisition.

Asked in a new interview with Consequence what the thought process was behind him selling a 50-percent interest in his song catalog, Tipton said: “Basically, I’ve always been happy with Sony. But they’re not proactive. And a lot of my songs on my solo albums — not PRIEST — have got very strong character and emotions, on a personal level. You couldn’t really release that on PRIEST’s catalog. So, I found a company, Reach Music, and they’re just wonderful. They actually concentrate on proactive more than normal. I just liked the way they worked, the things that they say; they know what they’re talking about. They haven’t just picked up a brochure and read a couple of titles and quoted those. They know the PRIEST music and my solo stuff — and they’re working hard on a proactive level, to get them up and running.”

As a member of JUDAS PRIEST, Tipton has written or co-written iconic tracks and radio staples including “Breaking The Law”, “Heading Out To The Highway”, “Hell Bent For Leather”, “Living After Midnight” and “You’ve Got Another Thing Coming”, all of which are included as part of the Reach agreement.

Tipton was diagnosed with Parkinson’s eight years ago — after being stricken by the condition at least half a decade earlier — but announced in early 2018 he was going to sit out touring activities in support of “Firepower”. He was replaced by “Firepower” album producer Andy Sneap, who is also known for his work in NWOBHM revivalists HELL and cult thrash outfit SABBAT. Tipton occasionally joins PRIEST onstage for its encores, performing “Metal Gods”, “Breaking The Law” and “Living After Midnight”.

In 2018, Tipton’s former PRIEST bandmate K.K. Downing sold his share of the royalty rights to 136 of PRIEST’s tracks, including classic songs “Breaking The Law”, “Living After Midnight” and “Painkiller”, to Round Hill Music. The rights consist of the guitarist’s publishing and writer’s share, and his artist royalties from the master recordings.

K.K., who is a founding member of the British heavy metal legends and was part of the group since 1969, announced his retirement from PRIEST in April 2011.

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The new BULLETBOYS lineup, featuring singer Marq Torien, guitarist Ira Black (OF GODS & MONSTERS, LIZZY BORDEN, METAL CHURCH), bassist Brad Lang (Y&T, BURNING RAIN) and drummer Fred Aching (POWERFLO, BILLYBIO), has scheduled the following dates this spring and summer:

Apr. 29 – Arcada Theatre – St. Charles, IL (with WINGER)
Jun. 10 – Whisky A Go Go – Hollywood, CA
Jun. 11 – Wild Goose Saloon – Parker, CO (with XYZ)
Jul. 15 – The Canyon – Agoura Hills, CA
Jul. 16 – The Canyon – Santa Clarita, CA
Jul. 22 – The Canyon – Montclair, CA
Jul. 30 – Beaver Dam Amphitheater – Beaver Dam, KY
Aug. 14 – Iowa State Fair – Des Moines, IA

BULLETBOYS’ latest lineup made its live debut in January at RokIsland Fest in Key West, Florida. Torien launched the new version of BULLETBOYS after the band’s original lineup fell apart following a two-year reunion. Original bassist Lonnie Vencent failed to show up for a scheduled BULLETBOYS performance at the Whisky A Go Go in West Hollywood, California in December, forcing the gig to be canceled. Torien instead delivered an acoustic set with Black. It was later announced by guitarist Mick Sweda and drummer Jimmy D’Anda that they would not be returning to the band.

In January, Sweda discussed his departure from BULLETBOYS in an interview with Waste Some Time With Jason Green. When asked if he informed Torien about his decision to exit the group after BULLETBOYS’ canceled concert at the Whisky A Go Go, Mick said: “I think that [Marq] pretty much expected that that was gonna happen. Who’s to say that this wasn’t part of a plan, in the beginning, that at the first opportunity he was going to find a way to go back to having his subservient musicians playing. I don’t know. It’s hard to say. And frankly, it doesn’t interest me at all at this point.

“Frankly, I feel a huge sense of relief and a sense of weight lifted off my shoulders every time I leave this band [laughs], because it can be nerve racking and stomach churning,” he continued. “And there’s no need for it in my life at this point. I’ve got plenty of other things I could be doing. So that’s what I will be doing.”

Sweda went on to say that he “always felt like” he “was spending more time doing damage control” than he was enjoying his time as a member of BULLETBOYS.

“It’s funny, people are, like, ‘Well, dude, just go play music. Why can’t you guys just get together and you go out and have fun and play music.’ Well, were it so easy,” he added.

“The shows were great. We were having a great time. People were responding,” he said. “It seemed like there was a potential for an upward trajectory. And as soon as — and these aren’t my words; this is somebody who’s very close with us and observing it… It’s, like, ‘When you guys are in a room, everything seems to be great and you’re having fun. As soon as everybody gets apart, that’s when the voices in people’s ears start speaking and the noise starts to have an effect. And, really, that’s the way it was — as soon as we finished the gig, that’s when everything started to slide downhill.”

Sweda previously opened up about his departure from BULLETBOYS in an interview with “This That & The Other With Troy Patrick Farrell”. Speaking about why the reunion of BULLETBOYS’ original lineup didn’t last more than two years, Sweda said: “You go into these things with what I’d describe as hope but it’s kind of qualified hope. You know that there’s a shelf life, you know that there’s a ‘use by’ date, or at least ‘best use by’ date, and you just hope it doesn’t come too soon. And for me, frankly, it came too soon. I was really looking forward to the year and all the shows we had booked and looking forward to going out and having a great time this summer. We were thinking that the [aborted] Whisky show [on December 16] would be something that would sort of pull us together after a tough 2021 and something that might sort of create bond that would carry over, and alas, that was not to be. We had a couple of guys that were really important to the functioning of the band, namely the manager and the drummer, that decided that they didn’t wanna move on and be a part of it. So, essentially my decision was made for me at that point.”

Regarding the personal differences that ultimately caused the reunited BULLETBOYS to fall apart, Mick said: “It’s very difficult to explain. I know there’s a lot of external noise, I know that there are voices whispering in everybody’s ear, and once everybody gets away from that buzz [from playing together], it starts to set in. I’m not gonna speak for anybody else, but you start wondering what’s happening. And then you hear something happened and somebody did this or somebody did that or said this, and it all just starts manifesting in this… I suppose it is insecurity, I suppose it is distrust. And for me, I have to be able to trust the guys in my band; I have to be able to know that somebody isn’t gonna go behind someone else’s back and say something or do something. And that just starts to dissipate, I suppose, with the time away. It’s funny — when you get back together, all of that just sort of subsides into the background because there’s a bigger goal in mind and a bigger picture; you want to achieve that and you don’t wanna let everybody down. So it’s easy to overlook that. But there comes a time where it just feels like it’s toxic and poisonous, and nobody needs that in their life, especially at our age.”

Sweda went on to say that he has had no direct conversations with Torien since he made the decision to leave BULLETBOYS. “I didn’t have to speak with Marq,” he explained. “The way that played out pretty much spoke volumes for me, and there was nothing else to be said. My understanding is that he’s already looking at putting together a group of fellows to go out and do there dates. My big concern is that when people see Jimmy’s picture or see my picture out there, I just want them to know that that is not gonna be the case and they’re not gonna see the original band. And there’s no guarantee that that artwork and those photos won’t be out there representing the gigs as such. So as long as everybody knows what ticket they’re buying and what to expect, I’m okay with that.”

When Sweda first discussed his exit from BULLETBOYS during a January 3 Facebook Live stream, he said: “In the past, I know it’s been brought up that anybody who isn’t in BULLETBOYS has quit on the fans. And that may or may not be something you’ll hear in interviews or whatever. And trust me, it has nothing to do with quitting on fans and everything to do with just not wanting to travel down a path that is fraught with strife and distrust and bitterness and everything else.

“It’s really, at this point in our lives, imperative — at least for me; I’ll speak for myself here — that I just remove all forms of toxicity,” he explained. “And I’m sure all of you understand it just can’t be a part of my life anymore. And the fact that we were all original and having some good shows and having a great time playing the shows — there’s no doubt about that; I had a wonderful time and I was looking forward to doing it all of 2022 — but once it gets to a point where it’s poisonous, you can’t have it in your life…

“I’m grateful that everybody understands, and I apologize to you. I was really looking forward to this being a nice run, being a nice year and finding a way to make our way through it. But that is not to be.”

The original BULLETBOYS lineup made its live return in December 2019 with a sold-out performance at the Whisky A Go Go in West Hollywood, California.

Aside from one show in 2011, original BULLETBOYS members D’Anda, Sweda, bassist Lonnie Vencent and Torien had not performed together since 1993.

BULLETBOYS formed in 1988 at the very peak of the Los Angeles glam metal movement. As a collection of talented musicians, BULLETBOYS were able to quickly capture the attention of music fans around the world. Unlike other rockers of the day, the BULLETBOYS possessed more hard rock-blues fusion than pure hair metal. Thanks to comparisons to the likes of AEROSMITH and VAN HALEN, talent scouts came running and the band quickly received their first major label contract.

BULLETBOYS’ self-titled debut was released in 1988 via Warner Bros. and peaked at number 34 on the Billboard 200. The album spawned two hit singles, a cover of the O’JAYS classic “For The Love Of Money” and “Smooth Up in Ya”, both of which charted on the Mainstream Rock chart and saw regular airplay on MTV. BULLETBOYS went on to release two more albums, 1991’s “Freakshow” and 1993’s “Za-Za”, before splitting up.

Photo credit: Jessica Chase

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Due to “a family matter,” guitarist Steve Morse will be taking a temporary hiatus from DEEP PURPLE live shows but remains a full member of the band. Steve’s replacement for PURPLE’s upcoming dates in May, June and July 2022 will be guitarist Simon McBride, who has previously toured with both Ian Gillan and Don Airey, among others.

Morse said in a statement: “Hello, everybody. I’ve just done a few gigs with the band, after years (!?) of not playing live. It’s a bittersweet, wonderful time to get together. However, my dear wife Janine is currently battling cancer. At this point, there are so many possible complications and unknowns, that whatever time we have left in our lives, I simply must be there with her.

“I am not leaving the band – I hope that after she gets a clean bill of health, I can re-join the tour. However, I am not seeing any likely situation which would allow me to do overseas touring in the immediate future.

“I continue to be privileged to be a part of the PURPLE family tree, and also to get to feel the amazing support of so many loyal fans and the rest of the band. There’s a certified world class guitarist ready to take over for the live shows whom everybody will surely be happy to hear.

“I appreciate all your sincere prayers for Janine and thank you all.”

Added the rest of the band: “All of our thoughts are with Janine during her fight against cancer and also with Steve while he supports his wife at a very difficult time. We hope that Steve will be able to join us back on the road later this year.”

McBride said: “I’m deeply honoured to be asked to stand-in for Steve and play for such an iconic rock band like DEEP PURPLE. They are amazing musicians and amazing people… I’m very excited to get out and play all those iconic songs and rock the stage with such legends. My thoughts are with Steve and Janine and their family.”

Morse effectively took over Ritchie Blackmore’s DEEP PURPLE slot in 1994 and has since been in the group longer than Ritchie.

In a 1997 interview, Blackmore stated about Morse: “I’m just glad they [DEEP PURPLE] found a guitar player to carry on because I thought I was going to be shackled to this band for the rest of my life. It was like a ball-and-chain thing, and luckily, they said, ‘Well, we found someone.’ ‘Thank God, I can get out!’

“I haven’t listened much [to DEEP PURPLE’s recent recordings]. I just know that Steve Morse [is a] brilliant player. I remember Steve Morse with the DIXIE DREGS; they’re fantastic.”

Morse’s solo career has encompassed rock, country, funk, jazz, classical and fusion. Having started playing guitar around the age of 11, he later on attended University of Miami’s School of Music, where he studied classical guitar and jazz. A “guitarist’s guitarist”, he was voted “Best Overall Guitarist” in the Guitar Player Readers’ Poll for five consecutive years, before being removed from eligibility to open the award to other musicians, and being inducted into their Gallery Of Greats. His work has received seven Grammy Award nominations, and he has appeared on over 200 albums.

DEEP PURPLE’s latest album, “Turning To Crime”, came out in November via earMUSIC. The LP contains DEEP PURPLE’s versions of great rock classics and musical jewels — including songs originally recorded by Bob Dylan, FLEETWOOD MAC, Bob Seger, CREAM and THE YARDBIRDS — carefully chosen by each member of the band.

Today, Deep Purple announce that, due to a family matter, Steve Morse will be taking a temporary hiatus from Deep Purple…

Posted by Deep Purple on Thursday, March 31, 2022

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OVERKILL bassist D.D. Verni spoke to Hardrock Haven about the progress of the recording sessions for the band’s 20th studio album. He said (as transcribed by BLABBERMOUTH.NET): “All the drums are done. All the guitars are done. I still have to do the bass. Blitz [Bobby Ellsworth, OVERKILL singer] has gotta get to his vocals. But I had almost all of it written when we went out on the tour before COVID, ’cause that’s where we were in our cycle. So I had to have my part — the music for the record — pretty much done. I had two songs left that I had to do when I got back home. ‘Cause that’s where we needed to be, ’cause the record was supposed to come out in the fall of that year or whenever. But then we were, like, ‘We’ve got a little extra time.’ And then we had more extra time.”

He continued: “It was funny, because usually I’ll kind of demo up everything at home, all the songs, and I’ll send it out to the guys, and then they’ll learn the stuff from the demo and then we’ll get together and play. [And then we’ll decide] ‘Maybe it should be faster or slower’ — we kind of noodle around till it feels good in the room. But we weren’t able to do that ’cause of COVID. But now that it’s taken so long, we could have done that. So, I don’t know exactly… This one’s still gonna be a bit of an odd record ’cause it was kind of done all remotely — everything. We’re gonna put out a record of songs that we’ve not one single time stood in a room and played together.”

As for the musical direction of the new OVERKILL material, Verni said: “Compared to the other ones… It’s hard to say. It’s maybe got a little bit more SABBATH-y kind of parts in it, a little bit more doomy.

“I know Colin Richardson’s gonna mix it,” he added. “Poor Colin. We thought we were gonna do it, and then we pushed him off, and then we pushed him off again, and then we pushed him off again. An we said, ‘You know what? We’ll call you when we’re ready.’ So whenever that’s gonna be, we’ll call him again. But we’re psyched about that ’cause he’s just great. He’s a great mixer and a great producer. So if nothing else, it’ll sound great.”

Richardson previously worked with OVERKILL on 1997’s “From The Underground And Below”, 2000’s “Bloodletting” and 2003’s “Killbox 13”.

Earlier this month, Blitz told 69 Faces Of Rock that OVERKILL’s new album is tentatively scheduled for an April 2023 release, “followed by a European tour.”

Regarding the sound of the new OVERKILL material, Blitz said: “It’s gonna be hard to figure it out for me until it actually takes shape. It seems a little bit more eclectic for us. It’s riff driven, not rhythm driven. The songs will contain two or three different riffs throughout it — the main [riff] and then two that are kind of secondary riffs, which I think is a little bit unique for us, to be singing over something like that. Heavy, of course. I mean, there’s some sledgehammer stuff on it — that kind of big, thick groove. I think the other side of it is that it shows kind of experienced speed, would be the word. Some of them just take off.”

In June 2020, Ellsworth told A&P Reacts that the band’s new songs were “a natural progression from ‘The Grinding Wheel’ [2017] and ‘The Wings Of War’ [2019]. I think when we had done the ‘Ironbound’ record [2010], it almost became like a trilogy in there — it was kind of like ‘Ironbound’, ‘The Electric Age’ [2012] and ‘White Devil Armory’ [2014], and they seemed to be the Father, Son and the Holy Ghost kind of a thing,” he said. “I think we kind of broke the mold a little bit with ‘The Grinding Wheel’, and then I think a little bit more with ‘The Wings Of War’. And on this one, I see it way more. And what I mean by that is that we’ve used other tools from our toolshed in the past, and that’s the slow grind that is coupled with that fast gallop. So it feels like a natural progression, but maybe two records ahead of what ‘The Wings Of War’ is. And that’s probably as objective as I can be.”

OVERKILL spent most of 2019 and early 2020 touring in support of its 19th studio LP, “The Wings Of War”, which was released three years ago. The disc was recorded at Gear Recording Studio in New Jersey, SKH Studio in Florida and Jrod Productions with engineering handled by Verni and guitarist Dave Linsk. The album was produced by the band while Chris “Zeuss” Harris took care of the mixing and mastering. Travis Smith (NEVERMORE, OPETH, SOILWORK, DEATH) was again enlisted to create the artwork for the album.

“The Wings Of War” marked OVERKILL’s recording debut with drummer Jason Bittner (SHADOWS FALL, FLOTSAM AND JETSAM), who joined the band in 2017.

Last month, Blitz confirmed that guitarist Dave Linsk is sitting out OVERKILL’s current U.S. tour due to “personal reasons” and is being temporarily replaced by former MACHINE HEAD and current VIO-LENCE guitarist Phil Demmel.

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