Joe Bonamassa teaches you Paul Kossoff's signature guitar style

The Free guitarist is one of Bonamassa’s heroes, and in this GW lesson, he unpacks Kossoff’s tone and technique

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BLACK STONE CHERRY Releases Music Video For 'Ringin' In My Head'

Kentucky rockers BLACK STONE CHERRY have released the official music video for the song “Ringin’ In My Head”. The track is taken from the band’s seventh studio album, “The Human Condition”, which was made available in 2020. The clip, which was shot in the Kentucky barn that BLACK STONE CHERRY uses as a rehearsal space, was directed by Tom Flynn and Mike Watts, who had previously worked on LAMB OF GOD’s “Memento Mori”.

“In 2020, when the world seemed to be falling apart, an older song we had started a few years earlier struck a nerve with us,” said BLACK STONE CHERRY frontman Chris Robertson. “Lyrically it seemed too close to the times not to try and make the song something special. The result is guaranteed to give you a ringin’ in your head.”

BLACK STONE CHERRY guitarist Ben Wells told The Machine Shop about “Ringin’ In My Head”: “We wrote that song originally for the ‘Family Tree’ album, and the original demo version had a different second verse on it and a different bridge, and by the time it was time to go in the studio, we weren’t all a 100 percent sold on it. But we loved it, so when it came time to do this album, we were looking at it, and we decided to rewrite the bridge on it and do some different things. But ironically enough, the words that we liked from the original are the ones that talk about the new disease creeping up and all this stuff. And it’s so ironic that those lyrics mean so much more now than they would have had we had released this song three years ago. So I’m glad we didn’t.”

Last June, BLACK STONE CHERRY announced the departure of bassist Jon Lawhon. He has since been replaced on the road by Steve Jewell Jr., the guitarist from the Glasgow, Kentucky band OTIS.

The digital-only release of an expanded edition of “The Human Condition” was made available last August.

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EVERCLEAR Announces 30th-Anniversary U.S. Tour With FASTBALL And THE NIXONS

EVERCLEAR, one of the leading alternative rock bands to emerge from the ’90s, is celebrating 30 years as a band in 2022 and to mark this major milestone, the quartet — led by vocalist, guitarist and founder Art Alexakis — has announced a 25-plus date North American 30th-anniversary tour featuring special guests FASTBALL and THE NIXONS. The setlist for this year’s tour dates will run the gamut of EVERCLEAR’s career, including songs from their currently out-of-print full-length debut, 1993’s “World Of Noise”, which the band has announced will be remastered and made available for the first time on all digital music streaming platforms on Friday, June 10.

Officially kicking off Thursday, June 9 in Idaho, EVERCLEAR’s celebratory outing will make stops throughout the summer in Denver, Waco, Memphis, Virginia Beach, Greenville, Baltimore, Nashville, Lexington, and Schenectady, among many other markets. See below for full list of upcoming tour dates. Bandsintown and artist pre-sales for the newly announced 30th-anniversary tour dates will begin Wednesday, April 6, with local presales available Thursday, April 7 and the public on-sale commencing Friday, April 8, all starting at 10 a.m. local time. Visit www.everclearmusic.com/tour for all details and to purchase tickets.

“Three decades as a band is quite the reason for celebration,” exclaims Alexakis. “I’m almost 60 years old. I’ve got MS. I’ve been through the wringer, but I’m still here. The music’s still here. EVERCLEAR is still here. EVERCLEAR is my band; it always has been. Its faces have changed, but the music stays the same. We’ve got a great band now, we’re tight as hell, we all love and respect each other, and we just go out and put on the best show we can every night. I’m blessed that I get to do this for a living and am truly grateful for my life.”

Of the 30th-anniversary tour, he adds: “We’re gonna do a couple of songs off ‘World Of Noise’ for sure, and maybe even some hidden gems from back in the day that were B-sides. And, of course, we’ll still play all the hits and fan favorites. It’s going to be a really fun summer!”

Below is a special 30th-anniversary tour teaser video showcasing performance footage of the band’s first No. 1 hit, and fan favorite, “Santa Monica” from the early days along with clips of them playing the song literally all over the world over the decades.

Since forming in 1992, EVERCLEAR has enjoyed a lengthy career by any measure, spanning 11 studio releases, including four that have been certified gold or platinum, selling over six million records, and achieving 12 Top 40 hit singles on Mainstream Rock, Alternative and Adult Top 40 radio, including “Santa Monica”, “Father Of Mine”, “I Will Buy You A New Life”, “Wonderful” and “Everything To Everyone”, as well as numerous videos, thousands of shows, and various other accolades, including a 1998 Grammy nomination. In recent years, Alexakis created and runs the annual “Summerland” tour, which features a package of popular ’90s alt rock bands, and also released his first solo album, “Sun Songs”, in 2019.

After the demise of his band COLORFINGER in 1992, Alexakis was struggling to make it in Portland, where he’d moved from San Francisco. That extremely difficult personal and creative period was the crucible that forged Alexakis into the fiery songwriter heard on the early EVERCLEAR demos, the “Nervous & Weird” EP (1993), and ultimately the “World Of Noise” LP, both released on the Portland independent label Tim/Kerr Records. The original 1993 release of “World Of Noise”, paired with the band’s significant efforts to break into college radio and the buzz they’d created within the Portland music scene, attracted the attention of major labels, including Capitol Records, which signed the group soon after. Beginning with their major-label debut, 1995’s platinum-selling album “Sparkle And Fade”, and its massive chart-topping hit “Santa Monica”, EVERCLEAR was soon a household name and catapulted into the masses, thus allowing their impressive three-decade career to prosper and endure.

EVERCLEAR is Art Alexakis (vocals, guitar), Davey French (guitar), Freddy Herrera (bass) and Brian Nolan (drums).

Photo credit: Ashley Osborn

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AIRBOURNE Announces Summer/Fall 2022 North American Tour

Australian hard rockers AIRBOURNE will embark on a North American tour this summer and fall. The 21-date trek will kick off on September 9 at the Gramercy Theatre in New York City and will end on October 11 at The Troubadour in West Hollywood, California.

Says AIRBOURNE in a statement: “We are from Melbourne, the most locked down city in the world, Unleashed at last, AIRBOURNE are the most set-free animals on the planet. Look out!

“They wouldn’t let us in for two years, after this tour they’ll never let us back!!

“Get your tickets, NOW OR NEVER!!”

A complete list of dates can be found on the poster below and at AirbourneRock.com.

Back in the spring of 2020, AIRBOURNE was scheduled to embark on the first North American tour in support of its fifth album, “Boneshaker”, out now via Spinefarm Records.

“Boneshaker” was released in October 2019. The cover artwork for the disc is a collaboration between Matt Read of Combustion Ltd., and Sean Tidy of Design House Studio Ltd.

With the creation of “Boneshaker”, AIRBOURNE decided to take the bolder path; to align with Nashville producer Dave Cobb, whose credits include both Chris Stapleton and “A Star Is Born” soundtrack.

AIRBOURNE guitarist Matt “Harri” Harrison told HMV.com about the decision to work with Cobb: “It took one phone call and he was always top of our list. His name isn’t hard to come by in our world; he’s so amazingly successful. I think he’s probably the biggest producer in the world, and he was always someone we talked about. He’s done so many big country records. There’s not a huge amount, sonically, that’s relevant to us in those records, but you can always tell it’s him producing; he’s always doing something a little bit different. The guitars sound great, the drums sound great — it always sounds like human beings in a room being great at their instruments.”

“When we first talked, we told him about BLACK ROBOT,” Matt continued. “That was a band he was in with some of his mates and they do this awesome cover of Eric Clapton’s ‘Cocaine’. That was a big record for us. When we spoke to him, it was really clear that he wanted the same type of record we did. We wanted to do something super raw and basically bottling what we do on stage.”

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