Video Premiere: Night Goat – “Wendigo”

The manic, unhinged fury of Ohio’s Night Goat is unleashed in the band’s psychedelic new video for “Wendigo.”
The post Video Premiere: Night Goat – “Wendigo” appeared first on Decibel Magazine.

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Harley Benton teams up with Guitar Max for new Fusion signature guitar – a well-spec’d $444 shred machine

Despite its humble price tag, the guitar – which was created in collaboration with popular YouTuber and gear guru Max Carlisle – features 24 stainless steel frets, a roasted flame maple neck and a Floyd Rose tremolo

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Ex-QUEENSRŸCHE Singer GEOFF TATE Has A New Perspective On Life Following His Open-Heart Surgery

In a new interview with Finland’s Chaoszine, former QUEENSRŸCHE singer Geoff Tate was asked if he has a whole new perspective on life after his summer 2022 open-heart surgery. He responded (as transcribed by BLABBERMOUTH.NET): “Yes, I certainly do. I think I’m very reflective now, perhaps more than…

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NIKKI SIXX Wants MÖTLEY CRÜE To Keep Going Until At Least 2031: 'This Isn't A Final Tour'

In an interview with Brazil’s A Rádio Rock conducted this past December but only now uploaded to YouTube, MÖTLEY CRÜE bassist Nikki Sixx was asked about the possibility of him and his bandmates writing and releasing new music. He responded (as transcribed by BLABBERMOUTH.NET): “We just did those fou…

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Gary Rossington: 1951–2023

Gary Rossington—the guitarist who inspired Lynyrd Skynyrd’s song “That Smell” and then played the hell out of it, with sailing, melodramatic feedback and a corpulent, grizzly-bear tone decorated by squealing pinch harmonics—died on Sunday, March 5, after at least a decade of coronary issues, including bypass surgeries and a reported heart attack in 2015. Rossington, who held the reins of Skynyrd ’til the end, was the band’s last surviving original member.The 71-year-old was also the primary slide guitarist in the foundational version of the Jacksonville, Florida-birthed group, playing the distinctive chirping introduction to their iconic “Free Bird,” as well as the muscular solos on “ Simple Man,” “Comin’ Home,” “Tuesday’s Gone,” “Call Me the Breeze,” “Gimme Three Steps,” “ Cry for the Bad Man,” “Workin’ for MCA,” “On the Hunt,” and their version of the Jimmie Rodgers classic “T for Texas,” among many other memorable, influential performances.Rossington’s tone was always like a boxer’s fist—strong, calculated, consistent—regardless of the gear he played, but the core of his sonic formula was a Gibson Les Paul Standard plugged into 160 watts of Peavey Mace or 100 watts of Marshall. In fact, Rossington boasted in a 2017 PG interview with journalist Joe Charupakorn that he played his 1959 Les Paul on every Skynyrd recording and show from the band’s inception until 1977. (Although live videos of the band in the mid ’70s also show him with a two-humbucker SG slung around his shoulders.)In Skynyrd’s nascent years, that Les Paul was his sole instrument. “Early on, we didn’t have the time to change tunings onstage, plus I only had one guitar back then, so I learned to play slide in standard,” he told me in 2015. To raise the action for his glass slide, Rossington would insert a pencil above the first fret on his guitar’s neck. He was proud that “my ’59 Les Paul, Bernice, is in the Rock & Roll Hall of Fame sitting right next to Duane’s and Clapton’s guitars. They were my two biggest idols coming up, so having my guitar right between theirs is great!”Over the decades and the trials—brawls with Skynyrd’s mercurial leader Ronnie Van Zandt that once left him with glass-shredded hands in the middle of a European tour; the terrible October 1977 plane crash in Mississippi that killed Van Zandt, guitarist Steve Gaines, singer Cassie Gaines, and three others, and left Rossington badly injured; the booze-and-drugs-fueled car crash that inspired “That Smell”; the challenges of addiction and recovery; and the rising and falling tides of the music business—Rossington survived with his everyman charisma and chops intact.He was born in Jacksonville in 1951, and his father died in the Army soon after. Initially, Rossington, who was inducted in the Rock & Roll Hall of Fame in 2006 as a member of Skynyd, wanted to be a baseball player, but that changed with the arrival of the Rolling Stones and when he fell in with Van Zandt, who became a father figure. They formed their first band together in 1964 and evolved into Skynyrd in 1969. The debut, Pronounced ’Lĕh-’nérd ’Skin-’nérd, was released in 1973 and contained “Gimme Three Steps,” “Simple Man,” “Tuesday’s Gone,” and “Free Bird,” although the latter did not become a hit until the 11-minutes-plus version on 1976’s One More from the Road was released to FM radio—forever launching “Play ‘Free Bird’” as a call for Skynyrd fans and wiseasses alike.Rossington’s tone was always like a boxer’s fist—strong, calculated, consistent—regardless of the gear he played.”I grew up listening to Lynyrd Skynyrd and had tickets for their Street Survivors tour at the New Haven Coliseum. It would have been my first time hearing the band live, and I was thrilled. I was also crushed when the news of the plane crash spread four days after the album’s October 17 release. I did catch the Rossington-Collins Band, which Rossington formed with fellow Lynyrd Skynyrd guitarist Allen Collins in 1979, along with Skynyrd’s bassist Leon Wilkeson and pianist Billy Powell, in 1980 at the Springfield (Massachusetts) Civic Center, but Rossington had broken his leg the day before and the vibe was, understandably, off. Seven years later, after Skynyrd reformed with Johnny Van Zandt as vocalist, I caught their fiery, inspiring performance at the Centrum in Worcester, Massachusetts. Hearing the tones and visceral playing that Rossington evoked from his guitar, I immediately decided to buy my first Les Paul.Almost 20 years later, when I was able to interview Rossington for the first time, I was inspired again—this time by his candor, humor, and humility.When we spoke about recording “That Smell,” still one of my favorite rock songs, Rossington seemed delighted recalling that day in the studio. “It was perfect,” he said. “My guitar sound was hot, with the feedback. It was everything I wanted.”He also talked about the experience that inspired Ronnie Van Zandt and Allen Collins to write the song. “I was out of control,” he said of hitting an oak tree and a house with his brand new Ford Torino while on a bender in 1976. “I did get in a car wreck, but we got a good song out of it.” Rossington was so wild that there were times when his bandmates, no slouches in indulgence themselves, were sure he’d kill himself.“Eventually, I learned that drugs are just horrible for you,” Rossington observed, “but that’s the way it was in rock ’n’ roll in our time. I can’t do any of that stuff now. I’m not in such great health. I’ve had some heart problems, and I’m on the straight and narrow. It’s a lot better than being fucked up all the time, and I thank God I made it through those days.”“We loved Cream and Clapton’s style, and all the guitar players with the British bands—Jeff Beck, Jimmy Page and also Hendrix.”–Gary RossingtonDecades later, the plane crash still hung over Rossington’s conversations about Lynyrd Skynyrd like a specter. He rarely mentioned it directly, preferring to complete relevant sentences with terms like, “until, well, you know…” or simply pausing to skip a beat.But the guitar hero was delighted to talk about his own guitar heroes, who profoundly influenced him and generations of players, just as Rossington would influence generations in his own lifetime. “We loved Cream and Clapton’s style, and all the guitar players with the British bands—Jeff Beck, Jimmy Page and also Hendrix,” he recalled. “But mostly it was Clapton, because he was so good, and he played more of the kind of blues we were raised on. I grew up listening to him and hoping to be that good one day. Of course, I never made it, and I never got near Hendrix, either. I don’t know if anybody will ever be as good as Hendrix again.“And Duane and Gregg were big deals to us. They inspired us before they were the Allman Brothers. We would go see all the bands they were in while we were growing up. The Allman Joys played a lot in town, at clubs and teenage dances. Duane and Gregg were already great even then, and you could see Duane get better on guitar every week or two. Plus, they were older than us doing exactly what we wanted to do— they were driving and smoking and had long hair and were out of school. They were as cool as sliced bread!”His current Lynyrd Skynyrd bandmates offered this announcement of Rossington’s death, on social media. “It is with our deepest sympathy and sadness that we have to advise that we lost our brother, friend, family member, songwriter, and guitarist, Gary Rossington, today. Gary is now with his Skynyrd brothers and family in heaven and playing it pretty, like he always does.”

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BETWEEN THE BURIED AND ME Announces 'Parallax II' Tour; BLABBERMOUTH.NET Presale Available

Grammy Award-nominated progressive metallers BETWEEN THE BURIED AND ME have announced a tour that will find them performing 2012’s “The Parallax II: Future Sequence” album in its entirety. Support on the trek, which will launch on June 16 in Charleston, South Carolina, will come from THANK YOU SCIEN…

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Watch Pedalpocalypse, Season 1: Every episode at https://bit.ly/pedalpocalypse

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FALLING IN REVERSE Announces Summer 2023 Tour; BLABBERMOUTH.NET Presale Available

FALLING IN REVERSE has just announced their summer 2023 headline tour plans. The band will embark on “The Popular Monstour”, with special guests ICE NINE KILLS. Additional special guests on select dates include UNDEROATH, SPIRITBOX, SLAUGHTER TO PREVAIL, CROWN THE EMPIRE and CATCH YOUR BREATH, makin…

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Watch Pedalpocalypse, Season 1

Every episode of “the Desert-Island-Discs but for pedals”, starring Vai, Trout, Smith, Krasno, Fletcher, Grossi and McKeon, in one binge-able place

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Fender joins forces with U2's Adam Clayton for its first ever signature bass amp, the ACB 50 combo

Boasting 50 watts of power, the ACB 50 is also the first new all-tube bass combo amp Fender has produced in over four decades

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