Hear L.A. trio Mayan Bull — featuring members of Trappist, Despise You and Kevarra — take an instrumental departure.
The post Track Premiere: Mayan Bull (ft. members of Trappist & Despise You) “Kid Cleveland” appeared first on Decibel Magazine.

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That’s right — Timothy Sheahan is not only one of coronavirus’ fiercest foes, but also a punk-hardcore metalhead in extremely good standing.
The post All Hail Virologist Timothy Sheahan: Metal Militia — Pandemic Division appeared first on Decibel Magazine.

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After KISS bassist/vocalist Gene Simmons bought a nearly 11,000-square-foot estate in Henderson, Nevada’s Ascaya luxury community and an adjacent half-acre lot for $10.8 million in May, he planted 137 trees on the parcel. Earlier today, the 72-year-old rocker shared video of the process to cover the adjacent vacant land with trees, saying “it was all done in two days.” Check out the clip below.

Five months after buying the Southern Nevada estate, he put it on the market in October for $14.95 million, but that price came down on November 17 to $13.5 million. Among the improvements Simmons made to the Las Vegas house is installing all new floors and ripping up wall-to-wall carpeting in some of the rooms.

Speaking to TMZ about his decision to sell the home only five months after buying it, Gene said: “First I bought it because Mr. Biden [U.S. president Joe Biden] and Mr. Newsom [California governor Gavin Newsom] are looking to raise taxes to the point where if I work really hard to earn a legal dollar, I may get to keep 35 cents. So, California has become untenable. So I’d rather leave the money to my family and to charity and so on, so I wanted to move to Las Vegas. No income tax, no state tax, no local tax, no inheritance tax, beautiful place, great. Except for one thing — my family doesn’t wanna go there. They’re not gonna put up with the heat, and down the street, there’s strippers and stuff like that. They don’t wanna deal with any of that.”

He continued: “I bought [the house] for 8.6 [million], then I bought the property next door for 2.4 [million] and planted 137 trees. So, guys, I can this for 25 or 30 million, but I’m blessed. I’d like to meet the person that’s gonna wind up buying the place because I don’t wanna just hand it over to some knucklehead. I want you to enjoy it and have a good life.”

According to Gene, his wife and their two adult children prefer to stay at the family’s other homes, an extensive portfolio which includes a modern lake house in Whistler, British Columbia, a home in Malibu and two houses in L.A. that Gene bought for the Simmons kids, Nick and Sophie.

“They’re not fans of 115-degree weather,” Simmons told The Wall Street Journal.

Because of KISS’s touring schedule and his business travel, Gene said he never spent more than a few weeks total in Las Vegas. He went on to say that he had no regrets about selling the property so soon after the purchase, adding: “How many houses do you need anyway?”

According to TMZ, Simmons purchased a mansion in Beverly Hills, California in October for $10.5 million. The home occupies more than 7,000 square feet of living apace and an additional 1800 square feet of “sleek deck space.” The sophisticated design allows for scenic views from the expansive kitchen, dining, living room, four bedrooms and five bathrooms, upstairs library/gallery space and a sliver of glass in the home theater. The home is one half solar powered, using roof panels to heat the pool and radiant heated floors.

In September, Simmons sold his Los Angeles mansion for $16 million, almost a year after he first put it on the market for $22 million. He later relisted it for $25 million after it never sold and he reportedly invested a lot of money in making improvements.

Gene bought the Los Angeles property back in October 1986 for $1,337,500.

Simmons has been very vocal about his desire to leave California for some time due to wanting a quieter lifestyle and to get away from being listed on celebrity maps or having to deal with Beverly Hills tour buses. He also said that part of the reason he and his wife listed the two-acre property in Benedict Canyon because the home had become too big for the both of them since their children had grown up.

Gene and Shannon were married in 2011 after dating since 1975.

Gene, Shannon and their kids all appeared on the reality TV series “Gene Simmons Family Jewels” from 2006 until 2012.

About a year ago, I bought the property next door to the Vegas house. Decided to cover the adjacent vacant land with 137 trees. It was all done in 2 days. Watch! pic.twitter.com/HUFLG4I9FO
— Gene Simmons (@genesimmons) December 29, 2021

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STONE TEMPLE PILOTS bassist Robert DeLeo has tested positive for COVID-19, the disease caused by the novel coronavirus.

The 55-year-old musician revealed his diagnosis in an Instagram post earlier today. He shared a photo of a positive COVID-19 test and he wrote: “Well, like so many others this virus has come to pay me a visit. Yes, double lines… Jackpot! Except this time you don’t win anything but a nice chunk of time by yourself doing the ‘q’ word. Omicron, Robotron, Lexicon, whatever they wanna call it, it’s the CRUD! A new year is upon us and I hope and pray everyone stays healthy and safe. Let’s all make this new year a positive and forward moving experience filled with everything we all love!”

Last month, STONE TEMPLE PILOTS scrapped the remaining shows on their tour — including an appearance at the Welcome To Rockville festival in Daytona Beach, Florida — after a “member” of the band’s “organization” tested positive for COVID-19.

STONE TEMPLE PILOTS features three original members — Robert DeLeo, guitarist Dean DeLeo and drummer Eric Kretz.

Singer Jeff Gutt, a 45-year-old Michigan native who spent time in the early-2000s nu-metal act DRY CELL, among other bands, and was a contestant on “The X Factor”, joined STONE TEMPLE PILOTS after beating out roughly 15,000 hopefuls during an extended search that began more than a year earlier.

Original STONE TEMPLE PILOTS singer Scott Weiland, who reunited with the group in 2010 after an eight-year hiatus but was dismissed in 2013, died in December 2015 of a drug overdose.

Chester Bennington, who joined STP in early 2013, departed nearly three years later to spend more time with his main band LINKIN PARK. Bennington committed suicide in July 2017.

STONE TEMPLE PILOTS released their first all-acoustic album, titled “Perdida”, in February 2020. The disc was Gutt’s second with STP. His recording debut with the group was on its self-titled seventh album, which arrived in March 2018.

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A post shared by Robert DeLeo (@stprobertdeleo)

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George Lynch says that he was the one who originally suggested to John 5 to release an album via a series of music videos, one song at a time, before unleashing the full-length effort.

In 2019, John 5 adopted an interesting approach to issuing his “Invasion” LP — instead of releasing it all at once; he made it available one song at a time, with an accompanying music video, on the first day of each month for several months, before dropping the album in July of that year.

During appearance on “Guitar Autopsy”, the video podcast hosted by Rusty Cooley, Lynch discussed the idea of releasing a series of singles a couple of months apart before unveiling the full album. After Rusty floated the prospect of making individual songs available prior to the release of the actual LP, Lynch said (as transcribed by BLABBERMOUTH.NET): “I had that exact same thought a few years ago, and I was talking to John 5. I was at [a studio] in Burbank and John was there. There was a little studio there, a guitar-centric studio, and he was working in there. And I was talking to him and the engineer about that idea — that actual same idea, what you just said. I was, like, put out a song a month, you buy the song a month, and we’re gonna have a video for each song. And then, at the end of the year, we’ll take those 12 songs and we’ll repackage it and resell it as a CD and get paid twice and do this whole thing with a bonus track and all this stuff. He turned around and did exactly that. Not that it was my proprietary idea, but it just kind of [was], like, ‘Wow.’ Then I remember going back in there and him telling me about it like it was his idea. Or no — it was his engineer who was telling me about it. ‘Yeah, man, we’re gonna do this thing…’ I go, ‘Yeah, that’s kind of what I was telling you about, like, a year and a half ago. But that’s cool.'”

Lynch added: “I never ended up doing it. And I wondered how it worked out for him — if that actually was a smart way to go. Because the downside is you’ve gotta be promoting and marketing everything for a whole year versus a regular record album cycle, [which is] 30 days now, or 45 days or something.”

Back in 2019, John 5 told “Wired In The Empire” that “releasing a new song and a new video every month” was something he had “been working on for a long time.” He added: “I think it’s a really great way to do something like that. It keeps the record alive and keeps people interested in what’s going on with everything so a record doesn’t die in a month or something. It keeps the record alive for a little while and it’s wonderful. It really has been working out well. The songs — we’ve been having a lot of fun playing them and we’ve really been having a great time.”

Over the past four years, Lynch has appeared on recordings by THE END MACHINE, KXM, ULTRAPHONIX and SWEET & LYNCH. He released his first-ever full-length instrumental album, “Seamless”, in August via Rat Pak Records.

John 5’s latest solo album, “Sinner”, came out on October 29 via Big Machine Records. The LP was produced and mixed by Barry Pointer at Riott House Studio in North Hollywood.

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Oakland DIY label Transylvanian Recordings made a lot of waves this year. Listen to some of our favorite Transylvanian albums from 2021 before the new year.
The post Darkest Waves: Five 2021 Favorites from Transylvanian Recordings appeared first on Decibel Magazine.

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VOLBEAT’s “Shotgun Blues” single, which is taken from the band’s latest album, “Servant Of The Mind”, recently topped both the Billboard Mainstream Rock and Mediabase Active Rock charts, the Danish/American group’s tenth top-charter, and cemented VOLBEAT’s record for having the most No. 1 singles on the Mainstream Rock chart by an artist based outside of North America.

VOLBEAT frontman Michael Poulsen told 93.3 WMMR about the achievement (as transcribed by BLABBERMOUTH.NET): “It’s crazy. We don’t understand it. There are so many European bands out there, so many great bands, and it’s tough to understand that we are the band who has the most No. 1 hit singles over there in America. It’s crazy. And yeah, I don’t know what to say about it. I’m just very thankful that the fans are aware of VOLBEAT and the radio stations play our songs. I’m very thankful for it. It’s a good feeling, because it’s tough times these days. We appreciate it.”

Revolver called “Servant Of The Mind” “excellent… the darkest and heaviest VOLBEAT offering yet.” For the LP, the band, which consists of Poulsen, Jon Larsen (drums), Rob Caggiano (guitars) and Kaspar Boye Larsen (bass), took its signature heavy metal, psychobilly and punk ‘n’ roll sound up a notch while showcasing Poulsen’s keen ability for songwriting and storytelling. “Rarely has such a successful band sounded so ravenous,” says Kerrang! magazine of the album.

“Servant Of The Mind” was written and recorded during the shutdown and quarantine necessitated by the COVID-19 pandemic. The LP includes the “double barrel” of summer songs the band released this past June: “Wait A Minute My Girl” and “Dagen Før” (featuring Stine Bramsen), the former of which became the band’s ninth number one single on the Billboard Mainstream Rock chart.

VOLBEAT has racked up nearly three billion cumulative streams over the course of its career, notched a “Best Metal Performance” Grammy nomination for “Room 24” (featuring King Diamond) from 2014’s acclaimed (and gold-selling) “Outlaw Gentlemen & Shady Ladies”, and has grabbed multiple Danish Music Awards.

Since forming in 2001, VOLBEAT has gone from the clubs of Copenhagen to headlining stages around the world, including the famed Telia Parken stadium in Denmark (becoming the only domestic artist to ever sell out the venue). Over the course of seven record-breaking albums the band has picked up number one songs (including nine No. 1s on the U.S. Mainstream Rock chart and counting, the most of any band based outside of North America), multi-platinum certifications, awards and accolades all over the planet. Most recently, they contributed a cover of “Don’t Tread On Me” to “The Metallica Blacklist”, with all proceeds from the track benefiting METALLICA’s All Within My Hands foundation and the Børne Cancer Fonden of Denmark.

Photo credit: Ross Halfin

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MEGADETH’s Brazilian-born guitarist Kiko Loureiro has uploaded a new 12-minute video in which he answers a number of fan-submitted questions. You can now watch the question-and-answer session below.

Asked if MEGADETH’s leader, guitarist/vocalist Dave Mustaine, uses music theory to compose the band’s songs. Kiko responded (as transcribed by BLABBERMOUTH.NET): “No. He doesn’t use theory at all — at all.

“You have to understand that people are different,” he continued. “A creator can play something and just imagine the mountain, the sea, the hell, a war — imagine things, those sounds. He can relate that riff to a machine gun or can relate that riff to a bomb exploding, in the case of MEGADETH. But he can play a chord and imagine the mountain, the sun, sailing — whatever. So some people are like this. Some other people, they need the theory — they need the names, they need the things organized to make sense. So that’s why some people really relate to the theory and love theory. I love theory. Some other people don’t feel they need theory to compose, to create, because it’s all about imagination. And, of course, the basic stuff they might know — ‘Oh, this is a major chord,’ ‘This is a minor chord,’ ‘This is the name of the notes, like E, A, D,’ but in the end, it really doesn’t matter as well.

“So, does Dave Mustaine use theory? No, he doesn’t.”

In a previous video, Kiko was asked if he has learned anything from playing with Mustaine for the past six years, Kiko said: “Oh, yes, man. Oh, yes. I don’t know if you’re asking about guitar stuff, but I think my answer would go more, like… I learned watching him strive to be unstoppable, to be strong, to search for excellence, to demand excellence from everyone, and everyone delivers excellence, delivers their best. Leadership… What else? I don’t know… Fight for your case. Fight for your music. Fight for your band. Fight for your fans. Being an artist, being creative [and] combining all those things — being professional and at the same time creative and at the same time having fun while you’re doing the stuff. Yeah, a lot of experience in the music business as well — in the music business in general, in the show biz.

“And regarding guitar as well, the thrash metal essence,” he continued. “All the rhythms — mainly the rhythms and then the attitude and the force, the vibe, the drive, the intensity. So, all those things while you’re playing. Mixing the technical things with a lot of energy — like metal with punk with attitude. I think I’m a way better rhythm player because of just hanging and playing with Dave for all those years — since 2015. Also composing — he composes in a very different way than I do. And I think watching and learning from the way he does as well.

“So, yeah, a lot of stuff,” Kiko added. “I could do an entire video of things that I learned from Dave and from the whole MEGADETH experience.”

In an October 2015 interview with The Irish Sun, Mustaine was full of praise for Loureiro, saying: “A lot of times guitarists won’t know how to add to something — they’ll put something in there that’s kind of like tits on a bull, unnecessary. Kiko came in and immediately started making some really good suggestions that we applied [to MEGADETH’s 2016 album, ‘Dystopia’]. When he first came in, I knew he had the ability but I didn’t know if the songwriting technique and talent was going to show up this early on.”

He continued: “What was great about the suggestions that Kiko made was that they weren’t just guitar ones — he made a bass part in a song called ‘Me Hate You’ [that made it] really come along. In fact, that was one of the songs where he made a huge melodic contribution in the chorus and I said, ‘Man, this sounds like something.'”

According to Dave, Kiko possesses all the elements that are required to become part of a legendary metal act like MEGADETH.

“For me — really simply stated — if you want to be a musician, that’s one thing. If you want to be a rock star, that’s another,” Mustaine said. “But if you want to be legendary, you need to have three very important components: you need to have ability, you need to have appearance, and you need to have attitude. Without all three of those things, it’s kind of like trying to have a three-legged milk stool without three legs — it’s just not going to work.”

He continued: “I found with Kiko, his ability was astronomical, with his attitude he was very confident in what he did — there’s a difference between confidence and arrogance. In appearance, he was very classy and very subdued on the street, but up on stage he totally takes command of his performance. When he came up to Nashville to visit with me, I didn’t even have him play for the majority of the day he was there. I just wanted to hang out with him and it’s been a really long time since I hung out with a guitar player before I hired him. Usually I would listen to how he played and then I’d go, ‘Okay, we’ll work it out.’ I didn’t want to do that again. Hanging out with Kiko, and having lunch and kicking back and talking music was all I needed — I knew he was the right guy.”

MEGADETH recently completed work on its new album, “The Sick, The Dying And The Dead”, for a tentative early 2022 release.

Mustaine has yet to reveal who played bass on the new MEGADETH album after David Ellefson’s tracks were removed from the LP following his dismissal from the band in late May.

MEGADETH recently completed “The Metal Tour Of The Year” with LAMB OF GOD, TRIVIUM and HATEBREED.

For “The Metal Tour Of The Year”, MEGADETH was rejoined by bassist James LoMenzo for the first time in nearly 12 years.

LoMenzo joined MEGADETH in 2006 and appeared on two of the group’s studio albums, 2007’s “United Abominations” and 2009’s “Endgame”. He was fired from the band in 2010 and replaced with a returning Ellefson.

Ellefson was in MEGADETH from the band’s inception in 1983 to 2002, and again from 2010 until his latest departure.

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SCORPIONS have released the second in a three-part series of short documentaries — directed by Thomas Noehre — focusing on the making of the band’s 19th studio album, “Rock Believer”. Check it out below.

When the series was first launched, SCORPIONS said in a statement: “For our new album ‘Rock Believer’, we all came back together in the studio like in the old days and captured that journey on camera. Maybe you discover some unreleased music snippets from our new album in it…”

Last month, SCORPIONS released the official music video for their new single, “Peacemaker”. The track, which features music courtesy of guitarist Rudolf Schenker and bassist Pawel Maciwoda and lyrics by singer Klaus Meine, is taken from “Rock Believer”, due on February 25, 2022.

Asked in a new interview with Chile’s Radio Futuro what fans can expect to hear on “Rock Believer”, Meine said (as transcribed by BLABBERMOUTH.NET): “Well, you can expect an album that is dedicated to all the rock believers in the world. And we’re very excited after all these years. We thought, when you think about all the touring we did the last 10 years, after the release of ‘Return To Forever’ in 2015, the time was right to go back into the studio, to write new material, to write new songs and check out if the creativity is still working. The big aim was, the goal was to make a rock album — to make an album with lots of attitude, power and focus on the good old times and really enjoy the music and have some fun with the music. And that feels really good.”

Speaking about the “Rock Believer” album title, SCORPIONS guitarist Rudolf Schenker said: “Look, we are around the world since 50 years or more. And when somebody can say he’s a rock believer, then this is us. And of course, we meet our rock believers in front of us, our audience.

“So many people said rock is dead. It’s not dead,” he continued. “It’s always coming back — sometimes, okay, more stronger [or] less strong — but in the end, it’s great to play around the world in over 80 countries we’ve played so far, and all rock believers. It was always great to share the music with them together and be in connection with them. I mean, that’s so amazing and so fantastic, that we are very happy to come out with a new album. And yeah, let’s see what’s happening.”

Asked if “Peacemaker” is representative of “Rock Believer” as a whole, Klaus said: “It is an uptempo rock song, and this album really rocks. There are some heavy songs on the album, like when you think about ‘China White’ and ‘Animal Magnetism’, there’s a track on the record that is really in the best way of those songs. There are many uptempo songs and, believe it or not, there are even faster songs than ‘Peacemaker’. [Laughs] There’s also a very beautiful ballad on the album, and I’m sure there are fans out there especially love the SCORPIONS ballads, and they will enjoy this record as well very much. ‘Peacemaker’ is the appetizer for what the album is all about. It rocks.”

“Rock Believer” was recorded primarily at Peppermint Park Studios in Hannover, Germany and was mixed at the legendary Hansa Studios in Berlin, Germany with engineer Michael Ilbert, who has earned multiple Grammy nominations for his mix work with producer Max Martin on albums by Taylor Swift and Katy Perry.

“The album was written and recorded in the SCORPIONS DNA with core Schenker/Meine compositions,” said Klaus. “We recorded the album as a band live in one room, like we did in the ’80s.”

SCORPIONS’ new album will mark their first release since 2017’s “Born To Touch Your Feelings – Best Of Rock Ballads”, which was an anthology of new and classic material.

SCORPIONS originally intended to record the new album in Los Angeles with producer Greg Fidelman, whose previous credits include SLIPKNOT and METALLICA. However, because of the pandemic, some of the initial work was done with Greg remotely, after which SCORPIONS opted to helm the recordings themselves with the help of their engineer Hans-Martin Buff.

Meine previously told Talking Metal that the goal with using Fidelman to produce “Rock Believer” was to bring “the old vibe from albums like ‘Blackout’, ‘Love At First Sting’ or even ‘Lovedrive’. We try to focus on those albums and this attitude,” he said. “If we get there, who knows — it’s so many years later. But it’s the spirit and it’s the whole vibe around this album. This time, the focus is on the harder songs.”

According to Meine, SCORPIONS’ new LP features “no outside writers at all,” unlike 2015’s “Return To Forever”, which was largely co-written by the album’s producers, Mikael Nord Andersson and Martin Hansen.

SCORPIONS will kick off their “Rock Believer” world tour in March 2022 in Las Vegas where the band will play nine shows as part of their residency at Planet Hollywood Hotel. Afterwards they will cross the Atlantic to Europe where they will play six concerts in France and six shows In Germany supported by Wolfgang Van Halen’s new band MAMMOTH WVH.

SCORPIONS’ last full-length collection of new recordings was the aforementioned “Return To Forever”, partially comprising songs the band had in the vault from the ’80s. It was the final recorded appearance of SCORPIONS’ longtime drummer James Kottak, who was dismissed from the band in September 2016. He has since been replaced by Mikkey Dee, formerly of MOTÖRHEAD.

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