FnA Records has released a tribute album, “Song & Dance Man: A Tribute To Warrant & Jani Lane”. This project was seven months in the making and the listener will be delighted to hear the results: renditions of WARRANT and Jani Lane songs by those bands and artists that loved the Lane era of…

Black Radical Love is out now on Triple B Records.
The post Boston Hardcore Band Move Release Their Debut Album, Black Radical Love appeared first on Decibel Magazine.

Hear former Death and Massacre guitarist Rick Rozz throw back to the early 90s sound of… grunge with FLO.
The post Full Album Stream: FLO – “Long Way Down” appeared first on Decibel Magazine.

The Catalinbread STS-88 flanger and reverb isn’t designed to be associated with any one genre or style. But pairing a 2-knob flange effect with a preset reverb is a strong stance. It’s as if Catalinbread were saying, “These tones are supposed to go together, deal with it.” Rather than provide a bevy of tweaking options, the STS-88’s simple 4-knob/2-effect design removes the potential for sonic option anxiety. It also arguably eliminates some possibilities. But shoegazers and space rockers should listen up.Simple and Stripped DownUsing a stripped-down pedal can be refreshing, and advanced flangers and reverbs can both be more complex than fun. The STS-88, though, does not suffer from that malady. Instead, flanger control is limited to just two knobs, depth and rate, both of which have a nice, wide range. The STS-88’s flanger tone is warm, and I had no trouble conjuring airplanes and ooze as soon as I plugged in. But the limited nature of the pedal’s controls does mean a lack of sculpting nuance that I’ve enjoyed in some other flangers. Players who aren’t flange freaks, though, will probably find most of what they want in just two knobs.I was compelled by the idea of a 1-knob reverb. It’s a bold move! And the STS-88’s lush reverb is perfect for washing out the gooey flange. But with just one knob, you can only select less reverb or more, and I couldn’t help imagining what else I could do if I was given just a little more control over decay or tone. The fourth knob is a wet/dry mix, which I’m surprised to say is my favorite option on the STS-88. I’m normally all in on flangers and content to go pretty wet with my tones. But having the ability to dial-in my mix allowed the STS-88 to play a bit better with other effects, which is, I believe, essential to its mission.With the mix around 11 o’clock and a Fuzz Face clone cranked, I struck a balance between gnarly, cutting fuzz and washy flange and reverb that mixed into a booming, shoegaze-y slurry.Mixin’ It UpCatalinbread’s pedals always feel well-thought-out and unique. So, despite my desire for more control, I knew there must be something a little deeper behind the simplicity of the design. If this flanger and reverb are meant to live together within these parameters, what’s the angle? The mix knob, I found, is the key. Take the way the STS-88 plays with fuzz. I’m a sucker for fuzzed-out flanger tones in the Dinosaur Jr. vein, but I don’t always love the way flangers play with fuzz. But the wet/dry mix on the STS-88 is an easy and elegant solution, and when I ran a fuzz through the pedal, I found my bliss. With the mix around 11 o’clock and a Fuzz Face clone cranked, I struck a balance between gnarly, cutting fuzz and washy flange and reverb that mixed into a booming, shoegaze-y slurry. Messing with the mix is rewarding, and I found many fuzzy, spaced-out sounds throughout the range of the flanger controls with this pairing. A noise gate on the wet side of the flanger circuit also helps the STS-88 pair more effectively with high gain. I also enjoyed overdrive sounds with the STS-88, but to my ears, the STS-88 really thrives with fuzz, and that’s what sells the pedal. In that setting, the limitations the designers built into the pedal make a lot of sense.The VerdictOption fatigue can be a real thing with feature-rich pedals, so I’m usually happy to have my options limited. It would be cool if Catalinbread built multiple versions of the STS-88, as they do with their Belle Epoch delay, which also comes in a more complex Deluxe version. Maybe it could include a searing fuzz circuit as well as a time or tone control for the reverb. As is, the STS-88 is a fun and totally useful addition to a pedal collection. As a flanger, it’s less about Prince-style tones than space-rock sounds. The biggest hangup will probably be whether you like the reverb tone or not, or whether you miss more control. Considering the pedal’s $209 price, that’s worth researching, because it’s going to be a personal taste kind of thing. But if you dig it, the STS-88 sure is fun. Catalinbread STS-88 Flange Reverb Pedal

In a new interview with Metal Edge, former MEGADETH guitarist Jeff Young spoke about his new band KINGS OF THRASH in which he is joined by another former MEGADETH member, David Ellefson (bass). KINGS OF THRASH recently completed a couple of tours during which it performed MEGADETH’s classic albums “…