Watch: AEROSMITH Kicks Off ‘Peace Out’ Farewell Tour In Philadelphia

Legendary rockers AEROSMITH kicked off their “Peace Out” farewell tour last night (Saturday, September 21) at the 21,000-capacity Wells Fargo Center in Philadelphia, Pennsylvania. The electrifying show features AEROSMITH’s classic hits performed in an immersive 360-degree production as they celebrat…

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METALLICA Postpones Second Phoenix Concert After JAMES HETFIELD Tests Positive For COVID-19

METALLICA has been forced to postpone its previously announced September 3 concert in Glendale, Arizona to September 9 after frontman James Hetfield tested positive for COVID-19.
The band was set to perform at State Farm Stadium as part of its two-night shows for the “M72” world tour. Hetfield and h…

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Watch: MAX And IGOR CAVALERA Kick Off U.S. Leg Of 2023 ‘Morbid Devastation’ Tour In Oklahoma City

CAVALERA, the project featuring SEPULTURA’s founding members Max Cavalera (guitar, vocals) and Igor “Iggor” Cavalera (drums), kicked off its U.S. tour this past Thursday (August 31) at Diamond Ballroom in Oklahoma City, Oklahoma. Fan-filmed video of the concert is available below.
The 40-date “Morbi…

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BILLY CORGAN Laments Lack Of ‘Innovation’ In Rock Music

In a recent interview with “Soundcheck” host Jen Eckert, SMASHING PUMPKINS frontman Billy Corgan discussed the impact the Internet and social media have had on the evolution of rock music over the decades. He said (as transcribed by BLABBERMOUTH.NET): “We’ve faced a sort of economic, cultural change…

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METALLICA Plays Abbreviated Set In Phoenix, Reportedly Due To JAMES HETFIELD’s ‘Vocal Issues’

METALLICA played an abbreviated set last night (Friday, September 1) in Glendale, Arizona, apparently due to “vocal issues” suffered by the band’s frontman James Hetfield.
According to Ed Masley of the Arizona Republic, METALLICA’s 14-song set at State Farm Stadium was two tracks shorter than every…

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Go Inside METALLICA’s Pop-Up Store In Phoenix

To coincide with METALLICA’s two concerts at State Farm Stadium in Glendale, Arizona this weekend, a pop-up shop opened on August 31 at 435 South 3rd Avenue in Phoenix and will remain open until Sunday, September 3 at 7:00 p.m. Fans visiting the pop-up shop are not only able to shop the basic tour l…

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Watch: GLENN HUGHES Performs DEEP PURPLE Classics In Houston During Summer 2023 U.S. Tour

The DeadMike.com YouTube channel has uploaded video of Glenn Hughes’s September 1 performance at the House Of Blues in Houston, Texas. Check out the clips below.
Glenn kicked off his summer 2023 U.S. tour on August 16 at The Landis in Vineland, New Jersey. Two days later, he teamed up with lege…

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METALLICA Launches Guitar-Shaped Ice Cream Bar

METALLICA’s foundation All Within My Hands (AWMH) and Enlightened have partnered in the fight against hunger with the release of their limited-edition guitar-shaped ice cream bar. The campaign will launch nationally on September 6, 2023.
Inspired by the legendary ESP Truckster, once available as par…

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UDO DIRKSCHNEIDER Knew For ‘A Long Time’ PETER BALTES Was Going To Leave ACCEPT

In a new interview with Robert Cavuoto of Metal Rules, original ACCEPT singer Udo Dirkschneider was asked if he was surprised to see bassist Peter Baltes exit the band in 2018 after spending more than three decades with the Wolf Hoffmann-led outfit. He responded (as transcribed by BLABBERMOUTH.NET):…

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Beetronics FX SeaBee Harmochorus Review

First things first: The people at Beetronics FX have created something truly and impressively original with the SeaBee Harmochorus.A simple way to describe the SeaBee is that it’s a digitally controlled, analog, bucket-brigade chorus and pitch modulation unit. But the sickos at Beetronix weren’t content to leave it at something so simple. Each of the effects here are so malleable and varied that they sometimes border on absurd.Inside the Hive MindThe SeaBee is rightfully positioned neither as a pure chorus nor a vibrato. But Beetronics may undersell the almost endless sonic possibilities offered by the marriage of the effects in this gorgeous little stompbox. It’s beautifully designed and crafted, both internally and externally. The designs on the pedal’s face, for instance, aren’t stenciled or screen printed onto the box, but are part of a textured faceplate that’s affixed to the chassis. The SeaBee looks and feels like a treasure.My hat is off to whoever had to design the pedal’s control layout. It’s not going overboard to say they did something magical here, given the small space they had to work with and the many multi-function features present. Most of the pedal’s controls serve more than one function, and a few serve three—for example, the knob at the top left controls ramp speed, tone, or modulation pattern depending on which mode is engaged. Meanwhile, the footswitches function as bypass, ramping, and tap tempo switches. If all that wasn’t enough, the pedal’s digital brain enables 16 presets, it’s MIDI enabled, and there is an expression pedal jack.No amount of ingenious engineering could save a stompbox this complex from a steep learning curve. And the SeaBee tends to funnel you toward mixing and mashing-up its different sounds. So, before you can enjoy the whole of the pedal’s possibilities, it’s wise to learn how the entire ecosystem works. The good thing is that the SeaBee sounds great along that journey, even if you don’t always really know quite how you got the sounds you hear in the first place.Buzz-Worthy SoundsThe SeaBee’s many sounds are often the kind you associate with digital pedals with lots of digital processing power. The pedal also often does work that would require more than one analog pedal. It would be impossible to describe all of the SeaBee’s possible sounds—or the function of every control— in the space of this review. But the chorus and vibrato modes are delicious and enveloping and can be tweaked to range from classic and subdued to warped and psychotic. There are three basic chorus modes: roto, which approximates rotary speaker modulations, depth, which ramps between levels of chorus intensity, and sting, in which the two delay lines in the chorus work more like a dedicated delay unit than a modulator. In all three chorus modes, the sound was three-dimensional and full, and I could not find a tone that sucked. All three chorus modes sat in a really pleasant tone pocket, too. Regardless of what kind of guitar I used, they were neither too dark (as some analog choruses can be) nor too bright. If I had to pick a favorite among these chorus voices, I’d say I particularly liked the weird vibrations of the sting mode, which I used as a sort of tight, demented delay. It’s worth mentioning, too, that the louder I played this pedal, the better it sounded. These are rich, complex sounds with many overtones to explore.While the chorus sounds can be wild, switching to harmochorus—which pitch shifts the chorus signal—is when things really go off the rails, usually in incredibly fun ways. All three modes—dual, arpeggio, and mad—are a little disorienting at first, and while Beetronics’ 16 onboard presets offer representative samples of the possibilities, they offer little in the way of tutorial about how to make them yourself. Still, once I started to crack the code, the going got easier, and the rhythmic and melodic rabbit holes I found and dove down were endless. The VerdictThe SeaBee is complex enough that I would hesitate to bring it on tour without a lot of practice. But who cares? As a creative tool, it occupies a unique space. SeaBee prompted me to think and play differently. I used voicings and timings that I would otherwise never reach for, and that makes this pedal feel pretty special.Considering the fact that the SeaBee can produce a lifetime of interesting sounds, and that there are boutique one-trick-pony pedals that cost nearly as much, the steep asking price is absolutely justified. The SeaBee is a difficult mutant to master, but it’s well worth the effort. PGBeetronics FX Seabee Harmochorus Multi-chorus and Pitch Modulation FX Pedal

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