“Ilike doing weird things like playing myphone through my pickups, and then looping that while playing over the top”: How Bonnie Trash’s Emmalia Bortolon-Vettor is reinventing guitar sounds with a $1 ring slide, a looper and her imagination

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Meet the Canadian quartet twisting post-rock with gothic noise and avant-garde surrealism, whose freewheeling approach requires economical gear and a curious mind

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