“He played upright but wanted to play the P-Bass. Motown said, ‘Nah, you ain’t making no money playing that.’ But he said, ‘If you want me, I’m playing the P-Bass’”: Bootsy Collins on the musician that totally “changed his mind” about bass playing

This post was originally published on this site

James Jamerson’s immense contribution to Motown Records in the ’60s and ’70s went largely uncredited – but his game-changing adoption of the P-Bass, coupled with his off-kilter technique, makes him an electric bass pioneer