DREAM THEATER's MIKE MANGINI Discusses His Drumming Technique And Teaching Philosophy (Video)

DREAM THEATER drummer Mike Mangini recently joined Vater drumsticks to talk a bit about his background, his successful methods that are used in his books, DVD and teaching philosophy to help musicians improve all aspects of their playing and more. The one-hour chat, which was hosted by Dom Famularo, can be seen below.

Last month, Mangini said that he had finished laying down his drum tracks for DREAM THEATER‘s next album. He wrote in a social media post about the effort: “I’ve not played on an album this energetically unrelenting, start to finish, since ANNIHILATOR. But the wild thing is the amount of vintage DREAM THEATER melody weaved on to that kind of energy.

“I’ve never tapped into more advanced uses of my old and new chops in musical ways because of a monumentally collaborative effort of five like-minded, organic/evolving individuals. Is it from the forced lockdown like other music I’ve heard released? Maybe. Is it from nobody individually or collectively trying to do anything specific musically except just play and be a daring 19-year-old again? Probably.

“I never say that any new album is better than another. It never seems to be to me after reading, ‘this is our best blah blah blah.’ What I’m communicating is exactly what it is about DT15 that sticks out as being significant and important to me. Better? That’s pointless given so many different tastes. Who cares. However, it’s really cool that the band and individuals can keep progressing at this career stage. But we’re supposed to given how we’re defined. Accordingly, there’s all the ‘familiarity’ one needs in this new music, but it’s definitely not the same old fills/chords/beats. Besides, what could be more boring than a defined ‘progressive’ musician not being creative, dynamic, and growing physically and creatively from album to album? That would be kinda like a poker machine spitting out the same hands game after game, year after year.

“Earning good mechanics is a great thing as it pertains to consistency and avoiding playing poorly. But A TRUE machine is a thing that doesn’t grow. That’s OK unless your thing, your claim, is to be a ‘progressive’ musician. We strive to ‘complete’ who we are even though nobody can fully ‘complete’ everything. No creative growth truly defines and = a ‘BOT’ so to speak. DT15 is no such thing and I’m excited to report back with so much joy.”

“Distance Over Time” marked DREAM THEATER‘s first album for for Sony Music‘s progressive imprint InsideOut Music. The group spent the past 25 years recording under various labels in the Warner Music Group system, most recently Roadrunner Records, which released five albums by the band between 2007 and 2016.

DREAM THEATER recently released its ninth career live album, “Distant Memories – Live In London”. Recorded at DREAM THEATER‘s sold-out show at the Apollo Theatre in London, the live release documents the band’s popular world tour in support of “Distance Over Time” and the 20th anniversary of their seminal concept album “Metropolis Part 2 – Scenes From A Memory”.

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