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In a new interview with Andrew DiCecco of VWMusic, guitarist Doug Aldrich was asked if David Coverdale allowed him “creative freedom” when he first joined WHITESNAKE two decades ago. Doug responded: “He didn’t at the beginning. He wanted to play the hits on a couple of tours and started the band bac…

During an appearance on the “Iron City Rocks” podcast, LAST IN LINE bassist Phil Soussan was asked if he and his bandmates have a “What would DIO do?” kind of mentality when it comes to their songwriting process, a reference to the fact that LAST IN LINE was formed a decade ago by original DIO guita…

DISTURBED frontman David Draiman has weighed in on the news that PANTERA’s surviving members Philip Anselmo (vocals) and Rex Brown (bass) will unite with guitarist Zakk Wylde (OZZY OSBOURNE, BLACK LABEL SOCIETY) and drummer Charlie Benante (ANTHRAX) for a world tour under the PANTERA banner.
Anselmo…

Eventide’s new flagship pedal features 62 studio-quality effects and flexible I/O.Eventide Audio has introduced its latest addition to the storied Harmonizer family, the H90 Harmonizer next-generation multi-effects pedal. Building on the foundation of the H9 Harmonizer multi-effects processor, the H90 offers 62 effect algorithms and hundreds of program combinations curated for a variety of instruments and genres. The compact H90 features include comprehensive I/O, flexible routing options, an intuitive UI designed for players, and a built-in tuner. Its modern ARM-based architecture, derived from the world’s most powerful effects processor, Eventide’s flagship H9000 Harmonizer, gives the H90 the power to accommodate the ongoing creation of advanced, next-gen effects.Along with the iconic reverbs, delays, modulation, and pitch shifting effects of the H9 Max, the H90 offers 10 new powerful algorithms including state-of-the-art, fast-tracking, and warble-free Polyphonic Pitch Shifting using Eventide’s proprietary SIFT (Spectral Instantaneous Frequency Tracking) technology. Six additional H90-exclusive algorithms are: Prism Shift, which lets users generate three voices from a single chord with separated, staggered, and pitch-shifted intervals to create four arpeggio types spanning up to three octaves; Even-Vibe provides an authentic Uni-Vibe emulation reimagined in stereo with envelope followers; Wormhole is a mega-sized hyper-modulated reverb with pitch warping performance; Head Space recreates a vintage four-head Tape Delay with classic and modern creative tone shaping control; Bouquet Delay is a Bucket Brigade Delay (BBD) with modulation, LoFi and Modern flavors, enhanced for performance; and WeedWacker is a two-stage, serial overdrive reminiscent of a famous green pedal. Introducing the Eventide H90 Harmonizer®The H90 front panel has been reimagined for expanded hands on control and parameter feedback by way of five push knobs, seven LED buttons, and a hi-res OLED display. Two large push knobs allow players to switch between SELECT, BANK, and PERFORM modes with ease. In PERFORM mode, players have six programmable footswitches. Functions like tap tempo, preset, insert bypass, or momentary states can be mapped and used to engage options like reverb freeze, pitch flex or delay repeat, while multiple instantaneous parameter changes can be made with three HotSwitches.Expression mappings can be hand-adjusted with the PERFORM HotKnob. Up to six individual assignable parameters can be engaged with the three push-button Quick Knobs. Even more control is possible via two inputs for either expression pedals, auxiliary switches with up to three buttons, or CV control, along with extensive MIDI control. Organizing sounds for a gig is made easy by the H90’s Playlist management. In SELECT mode, users can navigate their Playlist sequentially and in BANK mode, players can quickly load from a bank of three Programs – perfectly suited to cueing up a range of sounds for a song. Eventide H90 Harmonizer Multi-Effects PedalEventide’s H90 Harmonizer re-defines the sonic possibilities of a multi-effects pedal, seamlessly merging the studio-level versatility of Eventide’s flagship H9000 rack unit with the streamlined form factor of the H9 Max pedal. The H90 Harmonizer starts with all of the 52 algorithms found in the H9 Max pedal — all derived from the same ARM-based architecture found on the H9000 — then tops off this formidable foundation with 10 all-new algorithms for even greater versatility. More info: eventideaudio.com.

Eicca Toppinen of Finnish cello rockers APOCALYPTICA spoke to Knotfest at this year’s Louder Than Life festival about when fans can expect to hear a new full-length album from the band. He said (as transcribed by BLABBERMOUTH.NET): “That’s very hard to tell, because now we just released this EP [‘Me…

METALLICA celebrated the life, legacy, and achievements of Megaforce Records founder Jon “Jonny Z” Zazula and his wife Marsha Zazula with a special show this past Sunday night (November 6) in Hollywood, Florida.
The show, which took place at the 7,000-seat Hard Rock Live at Seminole Hard Rock Hotel…

Freya — the hardcore act fronted by longtime Earth Crisis vocalist Karl Buechner — return with “Thousand Yard Stare,” the first track off their 2023 Upstate Records debut, Fight As One.
The post Track Premiere: Freya – “Thousand Yard Stare” appeared first on Decibel Magazine.

The Van Halen-loving star sideman for Chris Cornell, Melissa Etheridge, and Don Henley, welcomes PG to his tone temple to see signature Suhrs, eight amps in a flash, and his core pedalboard.Pete Thorn has constructed a dream career on being heard, not seen. He’s toured the world backing Chris Cornell, Don Henley, Melissa Etheridge, Jewel, and Japanese rock icon Tsuyoshi Nagabuchi (even performing at Mt. Fuji for over 100,000 fans on the biggest concert stage ever assembled in Japan). For a self-proclaimed “guitar nerd” (check out Pete’s 2011 album under the same name), it was a 21st century guitarist’s goal. After that, what does one do in between tours to stay busy and relevant in a modern world? You become a beloved YouTuber, of course!His channel is a great destination for gear demos and comparisons, but Pete’s content stands out with his simple, and east-to-apply tone tips. (It’s worth noting that Pete did this very thing inside Premier Guitar for years with his “Tone Tips” column. Check it out!) The fun, diverse, informative videos Thorn has delivered have blossomed into a parallel profession with a built-in audience pushing 250k subscribers.While PG was on the road in SoCal, Thorn graciously invited Chris Kies into his Hollywood-based recording sanctuary, where his YouTube channel takes form. The hour-long chat covers Thorn’s signature Suhr gear (guitars, amps, and humbuckers), he shows how his setup can switch between eight tube amps in a flash (only outdone by his ability to interchange cabs, mics, and speakers in a snap), and we dive deep into Pete’s primary pedalboard.Brought to you by D’Addario XS Coated Strings.Suhr Signature IIAs you’ll soon find out, longtime luthier John Suhr and Pete Thorn go together like peanut butter and jelly, or, in this case, alder and maple. Suhr and Thorn have collaborated on several pieces of signature gear, and the above Pete Thorn Standard HSS is their latest. The S-style is built with a 2-piece alder body, roasted maple neck with a “Pete Thorn ’60s soft-V profile (a digitized copy of one of Thorn’s 2008 S-style Suhrs), ebony fretboard, Wilkinson WVS130 bridge, and Suhr pickups (V63 single-coils with a Thornbucker II in the bridge). Thorn is always trying the newest string offerings from Ernie Ball, and he’s currently using Primo Slinkys that are gauged .0095, .012, .016, .024, .034, and .044.For His Spiritual Guitar Godfather“I’ve talking a lot about Eddie Van Halen in this Rundown because he’s my spiritual guitar godfather. I’m a Van Halen nut and this guitar is something I had to have,” admits Thorn. After realizing that much of Eddie’s mind-blowing guitar work for Van Halen’s first albums were done on a 1976 Ibanez Destroyer, Thorn was on the prowl for his own. He recently acquired this “lawsuit-era” ’76 Destroyer in a Huntington Beach parking lot after securing the purchase online. The surprise of the score was that the pickups are early TV Jones P.A.F. humbuckers, because the owner that sold it to Pete actually bought it from the company’s founder Tom Jones. Pete’s thoughts: “Whatever’s going on in the pickups, they sound fantastic!”Previous PeteHere’s Suhr’s first Pete Thorn Standard signature model, with quite a different recipe than the HSS. This one has a chambered mahogany body with a maple top, mahogany neck with an “even slim-C profile,” an Indian rosewood fretboard, and a pair of Pete’s Suhr humbuckers—a Thornbucker+ in the bridge and a Thornbucker in the neck. Like its successor, this one also has jumbo stainless-steel frets, Suhr locking tuners, a Wilkinson WVS130 bridge, and a Graph Tech TUSQ nut.Sweet as Cherry PieThis cherry Gibson ES-335 looks new or neatly relic’d, but it’s from 1963. It fell into Pete’s lap nearly 20 years ago and wasn’t an astronomical price because it had a broken headstock (and has since garnered another wound by Thorn) and one of the previous owners went at the bridge pickup cavity with a chisel trying to get at the electronics. The sweet sauce that makes this baby sing is its ’60s, low-wound P.A.F.s—original in the neck and early patent numbered in the bridge—that sound like honey tastes.A Crusher for Chris CornellThis meaty, hulking 2000 Gibson Les Paul Custom toured with Pete when he backed up Chris Cornell. It would see the stage for Soundgarden smashers like “Spoonman” and “Outshined.” This guitar took a lot of abuse while onstage with Thorn, as he’d often end the night ripping off the strings one by one and Cornell would slam his microphone into the pickups. During these collisions, nothing ever broke (except the strings). However, one slow-motion fall off a guitar stand onto carpet caused this axe to need headstock surgery. He dropped in a set of Thornbuckers and swapped out the gold hardware for chrome.Not a Bad DayDuring a Chris Cornell tour stop in Nashville, Thorn ventured into Gruhn Guitars to find a pre-CBS Fender Stratocaster. He walked out with this sunburst ’64. That night, he got to play it alongside Peter Frampton, starting a longtime friendship. “There’s just so many great things I remember about that day. You know, these times in your life where you’re going to have bad days, this wasn’t going to be one of them. This was a good day [laughs]. This guitar just gives me great memories.”Meet FrankieThorn’s collection wouldn’t be complete without this EVH Striped Series Frankenstein named “Frankie.” It’s got the paint job, the exposed electronics, and the Floyd Rose. The rest is up to Pete. “How can you not have fun with a guitar like this? I’ve seen Paul Gilbert with one—and he’s a diehard Ibanez guy. I’ve seen Andy Wood with one—and he’s a longtime Suhr artist. We all have signatures, but we had to have one of these Frankensteins to shred on. We all bow down to the church of Eddie,” confesses Thorn.Tone HengeFor a dude whose main business is making videos and playing riffs, you need to maximize not only space, but inspiration. Before you is Pete Thorn’s twin tower of tone that can cover any amp sound he needs. Starting in the top left and working our way down, we have a 1972 Marshall JMP 1986 model pumping 50W, a handful of Synergy Amps modules (Synergy IICP, Engl Powerball, Soldano SLO, Vai Signature preamp, Engl Savage, Friedman BE-BB, Bogner Ecstasy, Bogner Uberschall, and a Fryette Pitbull), a Soldano SLO-100, a Jim Kelley Reverb, and a Suhr SL68. The right side is home to a Universal Audio OX Amp Top Box, a Suhr Hedgehog 50, a Top Hat Amplification Emplexador, a Suhr Pete Thorn PT100, and a Komet Concorde. Possibly the most impressive part of this whole structure is the Ampete Engineering 88S-Studio Amp and Cabinet Switcher that allows Thorn to switch between all these amps with a smash of a button.Upside Down Cabinet CakeThe Ampete 88S runs all those amps into a late-’70s Marshall 4×12 loaded with Celestion Black Back G12M 25W speakers and mic’d with a Shure SM57 and an Audio-Technica AT4050.Pete Thorn’s PedalboardFor a pedal-loving session-booked YouTuber-guitarist, you gotta believe Thorn is stuffed to the gills with stompboxes. What’s above is the board he relies on for most demos and videos while performing in his Hollywood hideaway. Top left, he has a Source Audio ZIO, MXR Echoplex, Suhr Riot, Maxon Apex 808, J Rockett Archer, Ryra Tri-Pi Muff, and a Strymon Mobius. Elevated above them rests a Strymon TimeLine, a pair of Eventide H9s, an MXR Phase 95, a Suhr Woodshed Comp, a Boss FV-500L Foot Volume Pedal, a Dunlop CBM95 Cry Baby Mini Wah, and a DigiTech FreqOut. Everything is controlled by MusicomLab EFX-LE II Audio Controller and MIDI Pedal, and a TC Electronic PolyTune 2 Noir Mini keeps his guitars emotionally and sonically stable.

Richie Sambora says it’s a “possibility” he could reunite with BON JOVI for an appearance at a U.K. festival next year.
The 63-year-old guitarist/vocalist addressed a possible renewed collaboration with his former bandmates while speaking to Metro on the red carpet of The Music Industry Trust Awards…