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At Fanny’s House of Music, you never know what strange or fascinating relics you might find. Guitorgan? Been there, sold that. A Hawaiian tremoloa fretless zither? We’ve had two.
Recently, the oddest of odd ducks strolled through Fanny’s front door. It looks like a Harmony Wedge lap steel that was thrown in the dryer to shrink a little bit. It has two flatwound bass strings, in reverse order from where you’d expect—the higher string is on the left side if you’re looking at the instrument’s face. Each string has its own fretting surface, bent at a 135-degree angle away from each other, and the frets are labeled with note names. A raised, thin strip of wood separates the strings from each other on the fretboard.
Oh, wait a moment. Did we say “fretboard?” We should have said “footboard.” Allow us to introduce you to the 1970s Mike Miller Foot Bass. That’s right—you play this adorable critter with your feet. The strings are tuned a fifth apart from each other. By setting the instrument on the ground and rocking your foot back and forth over the neck, you get a standard country root-fifth bass line—completely hands-free. Are you a guitar player? All you need is one of these puppies and a drum machine and, poof! You’re a whole band!
Thank goodness for the internet, which gave me access to the original promotional materials for the Foot Bass. Emblazoned with the all-caps header, “BE YOUR OWN BASS MAN,” its pamphlet extols the virtues of the Foot Bass. Describing it as “practically maintenance free,” it guarantees you’ll “amaze friends and audiences,” and “make extra MONEY.”
A brief meander through the United States Patent and Trademark website revealed the patent, whose filer was equally concerned with finances. “A currently popular form of entertainment is provided by an artist who both sings and accompanies himself on a guitar,” it reads, as if this hasn’t been a popular form of entertainment for a very long time. “The performance of such an artist may be enhanced by adding a bass accompaniment…. However, such an additional bass accompaniment ordinarily requires an extra artist for playing the bass and therefore represents an additional expense.” Sorry, bass players. Clearly, you all do nothing but cost us guitar players money.
“That’s right—you play this adorable critter with your feet.”
Be prepared to dig through your closet when you embark on your Foot Bass journey. If you start with your trusty Doc Martens, you’re in for a disappointing experience. Deep treads make for messy notes and poor contact with the strings. And while barefoot playing allows for more nimble, adventurous basslines, the lack of a rigid surface prevents the “simple and convenient” operation promised by the patent. What you need, as one Fanny’s employee described, are “church shoes”—something with a low profile and a flat sole.
Even with the right footwear, playing the Foot Bass takes some getting used to. There’s a bit of foam under the pickup cover that mutes the strings when you’re not playing them, but you can still make a remarkable amount of clatter with this thing. It’s a subtle motion that works best, and it certainly takes practice to master it. Add in multiple chords or—be still, my heart—walking up from one chord to the next? Give yourself a couple weeks in the woodshed before you schedule your next show.
If you’re looking for something to watch tonight, there’s a documentary you can find on YouTube called Let Me Be Your Band. It covers the history of one-person bands, starting with blues pioneer Jesse “Lone Cat” Fuller and continuing up to the early 2000s with the careers of Hasil Adkins and Bob Log III, among others. It’s a touching portrayal of ingenuity and spunk, and an ode to owning your weirdness. Not a single person in Let Me Be Your Band had a Foot Bass, though. It’s high time the Foot Bass was celebrated for its cleverness and played by an enterprising solo act. It’s a bit like Cinderella’s glass slipper here at Fanny’s. We can’t wait to see who tries it on for a perfect fit.
