MARTY FRIEDMAN Talks To MUSIC RADAR About 'Inferno' Album, PRS Signature Guitar (Video)
Music Radar spoke with former MEGADETH guitarist Marty Friedman at this year’s NAMM (National Association Of Music Merchants) show, which took place January 23-26 at the Anaheim Convention Center in Anaheim, California. You can now watch the chat below.
Friedman‘s new studio album, “Inferno”, will be released in May via Prosthetic Records. The CD will contain several collaborations with players influenced by Friedman, including Alexi Laiho (CHILDREN OF BODOM), REVOCATION guitar whiz David Davidson and the flamenco/metal acoustic duo RODRIGO Y GABRIELA. In addition, the album includes Friedman‘s first songwriting collaboration with Jason Becker since the pair played together in the pioneering duo of guitar mayhem CACOPHONY.
Friedman‘s first original material in four years, and his first album in more than a decade that will be released simultaneously worldwide, “Inferno” will feature what Friedman feels is the heaviest, most intense playing of his career.
“I’m extremely proud of the work I’ve done with CACOPHONY and MEGADETH, but I was never interested in stopping there,” Friedman said. “‘Inferno’ is the album that fans of my work with those two bands have always wanted me to make. I’ve finally made it, and completely on my own maniacal terms.”
He added: “On the guests’ songs, each would write a song from scratch, and then I would arrange it and add my parts to it,” Friedman said. “That way, we were both invested in it, and it’s a little bit of a deeper experience than just banging out a guest solo.”
Make no mistake, though — “Inferno” is unquestionably a Marty Friedman album, and one he plans to tour behind extensively (including his first U.S. performances since 2003). Furthermore, it features what Friedman told Guitar World is “the most intense writing and playing I can do,” with the goal of “go(ing) completely ape-shit and smok(ing) everything else I’ve ever done.”
“I wanted to create a new landmark to which my future music will be compared,” Friedman said. “That idea of just going completely balls-out — knowing what the full potential of my music and my playing could possibly be, and actually making it a reality — was what drove me through the whole process.”
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